The Little Review, June 1914 (Vol. 1, No. 4) — John Shaqi
The Little Review, June 1914 (Vol. 1, No. 4)Various
General
The Little Review, June 1914 (Vol. 1, No. 4)
Various
Literature, Modern -- 20th century -- Periodicals
Protocol (Procès-verbal de constat). On the 8th of March, before
me, Paul Henri Brionne, magistrate of the civil court of Paris,
in my office on rue du Faubourg Montmartre, 33, appeared M.
----,[1] of the periodical Fantasio, whose residence is in Paris,
boulevard Poissonière, 14, and declared:
"Every year there takes place an exhibition of various works of
drawing, painting, and sculpture under the name of the Salon of
the Independent Artists;
"This exhibition is open for all painters, and unfortunately,
alongside with productions of high value there figure ridiculous
works that have no signs of art;
"In order to show to what extent any work can be accepted in that
exhibition, to the detriment of the meritorious productions, he
intends to send there in the name of Fantasio, a picture the
author of which would be a donkey. The picture will be entered in
the catalogue under the title Et le soleil s'endormit sur
l'Adriatique, and signed J. R. Boronali;
"For said reasons he asks me to be present at the painting of
said picture in order to witness the process and draw an official
report about it."
Having consented to the request, I went in the company of Messrs.
----, the editors of Fantasio, to the cabaret du Lapin Agile,
where in front of said establishment Messrs. ---- set up a new
canvas on a chair that took the place of an easel. In my presence
they arranged paints--blue, green, yellow, and red; to the
tail-extremity of the donkey, which belongs to the owner of the
cabaret Lapin Agile, was tied a paint-brush.
Then the donkey was brought to the canvas, and M. ---- upholding
the brush and the tail of the beast allowed her to daub in all
directions taking care only of changing the paints on the brush.
I assured myself that the picture presented various tones passing
from blue into green and from yellow into red without
constituting anything definite and resembling nothing.
When the work had been finished, in my presence the picture and
author were photographed.
In testimony of the aforesaid I have written and issued this
protocol for legal use.
P. BRIONNE.
[Footnote 1: The names were not revealed.]
From the photograph it may be seen that the donkey had been teased with
some appetizing food held before his mouth, to which tantalization the
so-called Boronali responded with the wags of his "tail-extremity,"
according to the phraseology of the solemn document.
Public-domain text, read in full here on John Shaqi.
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