The Little Review, June-July 1915 (Vol. 2, No. 4) — John Shaqi
The Little Review, June-July 1915 (Vol. 2, No. 4)Various
General
The Little Review, June-July 1915 (Vol. 2, No. 4)
Various
Literature, Modern -- 20th century -- Periodicals
And what is the use of such a harangue? There is very little use. People
won’t be artists. Peo-pul don’t change. But the individual changes, and
that is the hope. Individuals are persons who can stand alone. There
ought to be Individuals coming out of a generation brought up on
Nietzsche. Such an upbringing has taught us at least two things: first
that he who goes forward goes alone, and second that it is weakness
rather than nobility to succumb to the caterpillars. Yes, and something
else: that it is from superabundance rather than from hunger that
creation comes. We start out fortified with all this. We don’t need to
wrestle with our gods every time the old laws threaten to submerge us;
our universe doesn’t totter when the caterpillars groan that we will be
lonely if we go alone or hurt if we are misunderstood or tragic if we
don’t compromise. We don’t mind these things.
It really all comes to one end: Life for Art’s sake. We believe in that
because it is the only way to get more Life—a finer quality, a higher
vibration. This bigger concept doesn’t mean merely more Beauty. It means
more Intensity. In short, it means the _New_ Hellenism. And that is a
step beyond the old Greek ideal of proportion and moderation. It pushes
forward to the superabundance that dares abandonment.
Art and nothing else! Art is the great means of making life
possible, the great seducer to life, the great stimulus of
life.—_Nietzsche._
The tree that grows to a great height wins to solitude even in a
forest; its highest outshoots find no companions save the winds
and the stars.—_Frank Harris._
Poems
CLARA SHANAFELT
Fantastic
I have no thoughts, no more desires—
It is green and gray like a garden
Stirred by apple-scented wind,
Quick with the sense of cool and silver joys
That come in a rainy dance
When soft hands of clouds have pushed away
The round red stupid face of the sun.
In one day, I think, the wind
Will not have had his will of the gleaming rain—
They run about with tossed hair,
The garden is silvered with their pleasure,
Cool and sweet, shining
As with arch laughter a beloved face.
The musing pool
Shattered in glancing flight by a sudden wing—
This, which no words can name,
This is my heart’s delight,
Winging I know not whither;
It has no measure.
Interlude
To sink deeper yet
In the green flood of twilight—
I grope for the rich chord of the full darkness
That drowns the piping cries of light,
For silence fretted by cadent rain
And the monotonous cries of insects
That lull the tortured sense in drowsy veils.
I am weary of lights dancing
In limpid streets,
Lemon and gold and amethyst,
The jewelled laughter and the scent,
Weaving of uneasy colors.
Public-domain text, read in full here on John Shaqi.
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