The Little Review, June-July 1916 (Vol. 3, No. 4)Various
General
The Little Review, June-July 1916 (Vol. 3, No. 4)
Various
Literature, Modern -- 20th century -- Periodicals
There will be nothing left
But the clean earth and some children—
Our child, Love, and a child for it to mate with.
The air they breathe will be pure
For the lies will be all dead.
Mlle. Poetry Meets Me at the Church
ROSCOE WILLIAM BRINK
To a New York poetry society one night with a friend of a friend.... I
had always wanted to see that society. Long have I listened in awe to
the unutterable rhythms of the city itself: the daily ictus of the
workward crowds in the morning, the beat again in the homeward evening,
lyric activity of the weeks rising to a crest like an Elizabethan sonnet
to end in a Saturday-Sunday couplet of application to the heart of man,
involved quatrains of the seasons, free verse epochs and tensions, years
and decades. As I listened to these bigger canticles of New York City I
have wanted to see its poetry society, fancying it some homely cricket
on its communal hearth—my pleasant heart-warming dream. You see, also,
besides listening in on this great, loud city voice, I once wanted to
write poetry myself—but that was long ago before, under penalty of death
by starvation, they took me and put me to work and rediscovered vers
libre.
As I sat beside the friend of a friend, gazing in glad surmise at an
elegant assembly of ladies and gentlemen, the poetry society meeting
came to order. Not since I was fourteen-fifteen, and went to
prayer-meeting because the girl I adored would be there, have I
experienced such emotions as I experienced then.
I don’t suppose you know my particular old white church prayer-meeting.
I used to go, rain or shine, every Friday night, and sit where I could
watch the door admit the pretty upward toss of curls of my affections’
desire. Sometimes she didn’t come and didn’t come. The opening hymn
would be sung and I would hear it not, for my eyes were upon the door.
Another hymn and the preacher would begin to speak with a gentle,
gushing, splashing sound at the mouth, but the door would remain closed;
and knotted, stifling disappointment be clutching at my throat. Another
hymn, and the discussion would be thrown open to the congregation. Well,
the door was stolid; I would slide back from the edge of my chair and
breathe thickly of the resisting air. So late, she would not come now.
To be sure, the congregation was some comfort: there were the frisky
young lady and the frisky middle-aged lady who would pop to their feet
with a squeal of enthusiasm, the deacons and the elders, the sincere
girls, the succinct young men with a duty to perform, the conservatives
and the infirm—all of them to speak. There came one night when there was
rejoicing in heaven’s hour. Somebody had sent a check to pay for a new
coat of white paint for the church. The treasurer arose from his chair
and lifted up the check for all to see. Then were hymns and glad talks
with God and with woman and man. The banks next day refused to honor the
check.
Public-domain text, read in full here on John Shaqi.
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