The Little Review, June-July 1916 (Vol. 3, No. 4) — John Shaqi
The Little Review, June-July 1916 (Vol. 3, No. 4)Various
General
The Little Review, June-July 1916 (Vol. 3, No. 4)
Various
Literature, Modern -- 20th century -- Periodicals
And what vision of life had Thomas MacDonagh? We know, for it is in his
poem _Wishes For My Son_:
But I found no enemy,
No man in a world of wrong,
That Christ’s word of Charity
Did not render clean and strong—
Who was I to judge my kind,
Blindest groper of the blind?
God to you may give the sight
And the clear undoubting strength
Wars to knit for single right,
Freedom’s war to knit at length;
And to win, through wrath and strife,
To the sequel of my life.
But for you, so small and young,
Born of Saint Cecilia’s Day,
I in more harmonious song
Now for nearer joys should pray—
Simple joys: the natural growth
Of your childhood and your youth,
Courage, innocence, and truth:
These for you, so small and young,
In your hand and heart and tongue.
And we know the vision of life that Joseph Plunkett had—it was the same
vision that the great mystics and the great religious had. It is in his
poem _I See His Blood Upon the Roses_:
I see his blood upon the rose
And in the stars the glory of his eyes,
His body gleams amid eternal snows,
His tears fall from the skies.
I see his face in every flower;
The thunder and the singing of the birds
Are but his voice—and carven by his power
Rocks are his written words.
All pathways by his feet are worn,
His strong heart stirs the ever-beating sea,
His crown of thorns is twined with every thorn,
His cross is every tree.
These three men had a vision for their country that could not be
expressed in a proclamation, no matter how nobly worded that
proclamation might be.
Padraic Pearse gave all his thought and all his effort to bring back a
chivalry to Ireland—the Heroic Age of Celtic History, when, as he said,
“the greatest honor was for the hero with the most childlike heart, for
the King who had the largest pity, and for the poet who visioned the
truest image of beauty.” The first thing you saw when you entered his
school in Cullenswood House was a fresco representing the boy Cuchullain
taking arms. The Druid has warned him that the youth who takes arms that
day will make his name famous, but will have a short life. And written
round the fresco, in the old Irish words, was Cuchullain’s answer, “I
care not if my life have only the span of a day and a night if my deeds
be spoken of by the men of Ireland.” This was the spirit that Padraic
Pearse sought to kindle in his boys—this was the spirit that he tried to
bring back again into Ireland.
Public-domain text, read in full here on John Shaqi.
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