The Little Review, March 1914 (Vol. 1, No. 1) — John Shaqi
The Little Review, March 1914 (Vol. 1, No. 1)Various
General
The Little Review, March 1914 (Vol. 1, No. 1)
Various
Literature, Modern -- 20th century -- Periodicals
While we mourn or exult over the eager efforts of women in our day to
evolve completely human personalities, it is interesting to read Rahel's
summing-up of the feminist movement: "Has it been proved by her
organization that a woman cannot think and express her ideas? If such
were the case, it would nevertheless be her duty to renew the attempt
continually." "And how," exclaims Ellen Key, "would Rahel have abhorred
the tyrannical treatment of each other's opinions, the cramping
narrow-mindedness, the envious jostling, the petty importance of
nobodies, which the woman's cause now exhibits everywhere, since, from
being a movement for liberty in great women's souls, like Rahel's own,
it has become a movement of leagues and unions, in which the small souls
take the lead."
Since it is reality and not appearance that alone could stand before
Rahel's devastating scrutiny of human things, and since to her the
highest personal morality consisted in being true, coercive marriage
seemed to her the great social lie. How could one of her simple clarity
of thinking be anything but outraged by the vulgarities of an average
marriage? "Is not an intimacy without charm or transport more indecent
than ecstasy of what kind so ever?" she demands. "Is not a state of
things in which truth, amenity, and innocence are impossible, to be
rejected for these reasons alone?" Of the evils in Europe she cries,
"Slavery, war, marriage--and they go on wondering and patching and
mending!" Rahel believed that in the existing institution of marriage it
was almost impossible to find a union in which full, clear truth and
mutual love prevailed.
Of Rahel's nature, warm, richly exuberant with a healthy sensuousness
and desire for sunlight, Jean Paul's letter to her gives us the essence.
"Wingéd one--in every sense--" he wrote, "you treat life poetically and
consequently life treats you in the same way. You bring the lofty
freedom of poetry into the sphere of reality, and expect to find again
the same beauties here as there."
Biographical facts are negligible here. Even comment on the interpretive
insight of Ellen Key seems not to be essential, though without it this
book could not be. It is the personality of Rahel Varnhagen that
matters, and the influence of that personality on the men of her day.
Rahel is distinctive as a challenger of the worn-out social and ethical
baggage that somehow, in all its shabbiness, has been reverently, with
ritual and with authority, given into our keeping by those who were as
oppressed by it as we in turn are expected to be. With the simplicity of
her questioning the honesty of these conventions, Rahel has made worship
of some of them less inevitable.
Some Contemporary Opinions of Rahel Varnhagen
CORNELIA L. ANDERSON
Heine said: "I should wear a dog collar inscribed: 'I belong to Frau
Varnhagen.'"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account