The Little Review, March 1914 (Vol. 1, No. 1)Various
General
The Little Review, March 1914 (Vol. 1, No. 1)
Various
Literature, Modern -- 20th century -- Periodicals
Thine is the place from where the seeds are sown
Up to the sky enclosed, with all its showers.
But ah, the birds, the birds! Who shall build bowers
To keep these thine? O friend, the birds have flown.
For as these come and go, and quit our pine
To follow the sweet season, or, new-comers,
Sing one song only from our alder-trees,
My heart has thoughts, which, though thine eyes hold mine,
Flit to the silent world and other summers,
With wings that dip beyond the silver seas.
--_Alice Meynell's Poems._ (Charles Scribner's Sons.)
A Remarkable Nietzschean Drama
DEWITT C. WING
_Mr. Faust_, by Arthur Davison Ficke. (Mitchell Kennerley, New
York.)
Have you thought there could be but a single Supreme? There can
be any number of Supremes.--Whitman.
Mr. Faust is the embodiment of the Nietzschean attitude toward the
universe. This characterization consciously ignores the legendary Faust
of Goethe as having no vital kinship with his namesake. There is of
course a skeletal likeness one to the other, but the hero in Mr. Ficke's
drama is incarnated with modern flesh and endued with a supreme will.
His unconquerable spirit is not that of Goethe's _Faust_ but of
Friedrich Nietzsche. Incidentally and singularly it is the spirit of
Whitman. And these two men, more than any other two or twenty in the
realm of literature, represent the undying god Pan, or the spirit of
Youth. Nietzsche and Whitman are the understanding comrades of the
young-hearted and open-minded.
_Mr. Faust's_ creator may have no conscious knowledge of Whitman's
poetry, which is a matter of no moment, but he has read Nietzsche, and
that is momentous--indispensable--in relation to this splendid result of
white-heat intellection. I say intellection because _Mr. Faust_ is not
so much a work of art as a remarkable example of reproduction. I know
that, although the thought and feeling of the work rise in places to the
power of an inspiration wholly personal to the author, never "Thus Spake
Zarathustra." For that is an original, authentic voice which, like
everything else in nature, has no substitute or duplicate.
Public-domain text, read in full here on John Shaqi.
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