The Little Review, March 1915 (Vol. 2, No. 1)Various
General
The Little Review, March 1915 (Vol. 2, No. 1)
Various
Literature, Modern -- 20th century -- Periodicals
“The test is always that of Permanence, and of immemorial human
association. It is, at bottom, nothing but human association that makes
the great style what it is. Things that have, for centuries upon
centuries, been associated with human pleasures, human sorrows, and the
great recurrent dramatic moments of our lives, can be expressed in this
style; and only such things. The great style is a sort of organic,
self-evolving work of art, to which the innumerable units of the great
human family have all put their hands. That is why so large a portion of
what is written in the great style is anonymous—like Homer and much of
the Bible and certain old ballads and songs. It is for this reason that
Walter Pater is right when he says that the important thing in Religion
is the Ceremony, the Litany, the Ritual, the Liturgical Chants, and not
the Creeds or the Commandments, or discussion upon Creed or
Commandment.... Why, of all the religious books in the world, have ‘the
Psalms of David,’ whether in Hebrew or Latin or English, touched men’s
souls and melted and consoled them? They are not philosophical. They are
not logical. They are not argumentative. They are not moral. And yet
they break our hearts with their beauty and appeal!
“It is the same with certain well-known _words_. Is it understood, for
instance, why the word ‘Sword’ is always poetical and in ‘the grand
style,’ while the word ‘Zeppelin’ or ‘Submarine’ or ‘Gatling gun’ or
‘Howitzer’ can only be introduced by Free Versifiers, who let the ‘grand
style’ go to the Devil? The word ‘Sword,’ like the word ‘Plough,’ has
gathered about it the human associations of innumerable centuries, and
it is impossible to utter it without feeling something of their pressure
and their strain. The very existence of the ‘grand style’ is a protest
against any false views of ‘progress’ and ‘evolution.’ Man may alleviate
his lot in a thousand directions; he may build up one Utopia after
another; but the grand style will remain; will remain as the ultimate
expression of those aspects of his life that _cannot change_—while he
remains Man....
Public-domain text, read in full here on John Shaqi.
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