The Little Review, May 1914 (Vol. 1., No. 3)Various
General
The Little Review, May 1914 (Vol. 1., No. 3)
Various
Literature, Modern -- 20th century -- Periodicals
These are some of my own guesses as to why individual impressions of our
national life are few and why they are not greatly in vogue in America.
Whether they be poor or good guesses they represent one Middle Western
reader's observation of some of the actual difficulties that will have
to be faced in America by the writer who by temperament desires to
follow that golden and beautiful way of Flaubert's, which Mr. Galsworthy
has mentioned.
This writer will doubtless get from these difficulties far more fun than
he ever could have had without them. They are suggested here in the
pages of THE LITTLE REVIEW, not at all with the idea of discouraging a
single traveler from setting out on that splendid road, but rather as a
step towards the beginning of that true and long comradeship with effort
that is worth befriending which our felicitous English well-wisher hopes
may be THE LITTLE REVIEW'S abiding purpose.
"Henceforth I ask not Good Fortune: I, myself, am Good Fortune."
Impression
GEORGE SOULE
Her life was late a new-built house--
Empty, with shining window panes,
Where neither sorrow nor carouse
Had left red stains.
A passing vagrant, least of men,
Entered and used; her hearth-fire shone.
She mellowed, he grew restless then--
Left her alone.
Now she is vacant as before,
Desolate through the weary whiles;
Yet play about the darkened door
Shadows of smiles.
Art and Life
GEORGE BURMAN FOSTER
Odium theologicum--it is a deadly thing. But the ridicule and obloquy,
formerly characteristic of credal fanaticism, seem to have passed over
in recent years into the camp of art connoisseurs. No denying it, it was
a Homeric warfare that reverberated up and down the earth from land to
land, and from century to century, between what was ever the "old" faith
and the "new." In this year of grace, however, it is the disciples of
"classic" art--aureoled with the sanctity of some antiquity or
idealism--and "modern" art--in whatever nuance or novelty of most
disapproved and screaming modernity--who hereticize each other, who even
deny each other right of domicile, save, perhaps, in the unvisited
solitudes of interstellar spaces. To be sure, those august and frozen
solitudes of the everlasting nothing may be conceivably preferable to
the theological Inferno, though probably this question has not yet
received the attention from critics and philanthropists that its
importance would seem to merit.
Public-domain text, read in full here on John Shaqi.
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