The Little Review, May 1915 (Vol. 2, No. 3)Various
General
The Little Review, May 1915 (Vol. 2, No. 3)
Various
Literature, Modern -- 20th century -- Periodicals
Some of the “children of Mallarmé” are dead; others are forgotten; a few
still remain. Maeterlinck, Vielé-Griffin, Jammes, and Remy de Gourmont
occur first to one’s mind as the best living representatives of the
great Symbolist school, and of these the subtlest, the most fascinating,
the most modern is Remy de Gourmont. Along with M. Anatole France,
though very different from him, Remy de Gourmont is an example of the
tradition of European culture. Less derivative than M. France, or
perhaps deriving from less familiar sources, with as great an irony and
with a faith that seems more sceptical than scepticism itself, he has
extracted from the literature of each country and century that part
which helped him to develop and train his own character. He presents in
one person the manifold and often conflicting opinions and ideas of
modern culture. Reading his books one sees that there is a mystical sort
of beauty even in science and under his pen mysticism itself appears
almost as exact as a science.
I said just now that M. de Gourmont was an example of the tradition of
European culture, and since Paris, we are mostly agreed, is the centre
of European culture, and since Remy de Gourmont is a Parisian of
Parisians, we may count him, I think, as one of the best examples of
Latin or West European culture now living. I rather dwell upon this
aspect of Remy de Gourmont as the man of supreme culture since that
quality has so suddenly and so startlingly come into public discussion.
It is extremely difficult to say precisely what culture is; and a
definition of culture naturally varies with differences of race and
temperaments. John Addington Symonds, in his interesting and
illuminating essay on this subject, defines culture as “the raising of
previously-educated faculties to their highest potencies by the
conscious effort of their possessors.” And it might be added to this
excellent definition that the feature of Latin or West European culture
which most distinguishes it from the culture of other countries is a
wideness of interest, a great general “cultivating” of all the faculties
of the mind and character as opposed to the extreme development of one
single faculty.
Public-domain text, read in full here on John Shaqi.
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