The Little Review, May 1916 (Vol. 3, No. 3)Various
General
The Little Review, May 1916 (Vol. 3, No. 3)
Various
Literature, Modern -- 20th century -- Periodicals
More than ninety-nine percent of the students who study art never
qualify as artists. We are all born into the world creators. In the
interval some wander into by-paths, play nicely upon the piano or
violin, do art, or write poetry. Maiden aunts and fond grandmas proclaim
them geniuses, all the time praying that they do not become artists.
When love comes, they leave the by-paths to fall into lock step on the
old worn way.
It is not what is accomplished on these journeys along the outposts of
art, but it is the experience that counts. If they have met there one or
two who stirred their senses with the impression of bearing a “fragile
and mighty thing,” who could rise above the earth and shout in a
flamelight of joy, or fall upon the earth and moan with the dark trouble
of Things; if they have caught from these a quickened sense of Life, and
learned a broader observation and consciousness of beauty; even though
they cannot create as the artist creates—still from this experience they
should feel the power to create a new life for those whom they in their
turn may meet. If they would so much as teach the children, not the old
formidable “Fear God and keep his commandments,” but rather
“Find in every foolish little thing that lives but a day
Eternal Beauty wandering on its way”
we should grow a race with a deep desire for the “free, unsullied things
which never fail and never can decay.”
The Artist knows as surely as though he walked with God upon those six
days of creation that _this_ He made and nothing more—but here He made
all. Other men fill in the gap between what they are and what they feel
they could be, what they long for and cannot find, what they attain and
aspire to, with Religion. Then, walled in with the belief of finding
completion in a future life, they live on unconscious of the passionate
splendor and ecstasy of this life. The artist, realizing that here we
must live our life and our immortality, cries out to men to know all, to
feel all, to be all here, and he strives with his whole soul, gives up
his life to show men what he has seen. But the turning of great wheels,
the blasts of furnaces, and the straining of millions of human beings
that a few may be comfortable, drown his voice. And because he does not
take part in this great struggle for physical contentment, does not live
the cramped, dwarfed life of society, there is no place for him in
modern life. Even though the wisest seem deceived, still the artist must
believe that a consciousness of Art will come, and that even the most
stupid will sometime know that he must have Art before bread.
I know—for I have experienced it and perhaps experienced little
else!—that art is of more value than truth.—_Nietzsche._
New York Letter
ALLAN ROSS MACDOUGALL
(_The Poetry Society of America Meets and I Attend, Taking with
Me a Sense of Humor._)
Public-domain text, read in full here on John Shaqi.
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