First Movement: Milk and Liver. Second Movement: Bed-bugs crawling over the body of a fat burgher. Occasionally he snorts sonorously (’cellos). Third Movement: Ten-ton joviality—beer, cheese, saurkraut, ham. Grazioso—Ach, du lieber Augustine! The end suggests his Academic: Fourth Movement: a. Hungarian dancing—(Brahms’ only successful field). b. Falls into pompernickel sentimentalism. c. The German policeman (trombones). d. More liver. e. Gas. _Yours Sylph-fully_: Please let me “register” my appreciation of your April number. I read the extract from _The Interstate Medical Journal_ with intense purposefulness, have ordered Vance Thompson’s “epoch-making book, _Eat and Grow Thin_”, and begin to feel that I am getting even more than I subscribed for. Incidentally, didn’t you love Carl Sandburg’s _Gone_? Chick Lorimer! What a name! It makes one almost sorry to be “respectable”, somehow—it’s so full of gayety and courage! Statement of Ownership, Management, Circulation, Etc., required by the Act of August 24, 1912 of _THE LITTLE REVIEW_ published monthly at _Chicago, Ill._ for April 1st, 1916. Editor, _Margaret C. Anderson, 834 Fine Arts Building, Chicago_. Managing Editor, _Same_ Business Manager, _Same_ Publisher, _Same_ Owners: (If a corporation, give its name and the names and addresses of stockholders holding 1 per cent or more of total amount of stock. If not a corporation, give names and addresses of individual owners.) _Margaret C. Anderson 834 Fine Arts Building, Chicago_ Known bondholders, mortgagees, and other security holders, holding 1 per cent or more of total amount of bonds, mortgages, or other securities: _None._ _MARGARET C. ANDERSON_, Sworn to and subscribed before me this _31st_ day of _March, 1916_. _MITCHELL DAWSON, Notary Public._ (My commission expires _December 20, 1917_.) ART SCHOOL or ART FACTORY WHICH? Charles A. Kinney’s story of his fight for individual rights in the Art Institute: