The Little Review, October 1915 (Vol. 2, No. 7)Various
General
The Little Review, October 1915 (Vol. 2, No. 7)
Various
Literature, Modern -- 20th century -- Periodicals
The sad, timid eyes smiled at me. I looked into the depth of those
eyes-of-ages. A half frivolous notion passed through my mind: I raised
the fruit, and pronounced the ancient Hebrew blessing:
“_Barukh atah, Adonay, elohenu melekh haolam, bore pri haetz._” (Blessed
art Thou, O Lord, our God, creator of the fruit of the tree.)
The sad eyes became faintly radiant and moist. A suggestion of a smile
appeared around the hairy mouth. The lips mumbled something inaudible. A
lean brown hand rubbed the glossy side of the coat, and tremblingly
extended to me. I grasped it, embarrassed.
“_Lange Johren magt Ihr hoben, lange Johren auf Euch!_” (Long years may
you have, long years unto you!)
I turned to the pretty girl. With her handkerchief she was diligently
rubbing off a drop of juice from her white blouse.
It was too hot to think, so I resumed our playful talk.
II. Nocturne
It was night, and soft and blue and starry. A uniformed nurse emerged
from the dark alley of the park, and heavily dropped on the bench where
I sat. For some time she leaned backward, her eyes closed, her breast
heaving, her mouth half open. Then she looked widely, straightened
herself, sighed deeply, and casually glanced at me and at my box of
paints.
“Are you an artist?”
“Yes. Obviously, you are a nurse?”
She nodded, and burst forth into a rapid talk, as if she had long been
waiting for an opportunity to unburden herself.
“Just got off duty. See those lighted windows across the road? That is
our hospital. Ah, I shan’t stand it much longer. Moans and groans,
suffering, tears, madness—God! You know, it starts at twilight. As soon
as the sun sets all the miseries get loose. Even the quiet patients
become delirious and raise bedlam. And so till midnight. It will drive
me insane. Give me a cigarette, will you? There is nobody around at this
time.”
Her “shop talk” bored me. Silently I gave her a cigarette and a light,
and watched her inhaling the smoke eagerly and intently. Her grey
striped dress with the tight white apron outlined a light, slender body,
a supple breast, and full strong arms. Her face was in the shadow, but
my professional eyes noticed its lovely oval contours. The little white
cap seemed toyishly small on the vast mass of disobedient hair. She
flung away the cigarette, and turned to me:
“Thanks, stranger. Why don’t you say something? Ah, what a night! See
the blue mist away there beneath the trees, and see that big oak—it’s
like a tower. Gee, I am getting romantic. Ah, what a night!”
I was amused with her half bookish, half street-talk. Somehow she did
not irritate me, as the rest of the people did, with her trivial remarks
on things which I believed to belong exclusively to the realm of colors
and music.
“Look!” She grasped my hand. “See the star falling? There, it dropped
into the lagoon. Ah, I smell hyacinths, do you? Hey, if you are not
going to say something, I’ll smash you!”
Public-domain text, read in full here on John Shaqi.
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