The Little Review, September 1916 (Vol. 3, No. 6)Various
General
The Little Review, September 1916 (Vol. 3, No. 6)
Various
Literature, Modern -- 20th century -- Periodicals
The Roadside Press is to come out with a Chicago Anthology, a hundred
and fifty poems, by Chicago authors. As _Poetry_ would say: “Most of
these appeared first in _The Little Review_; and will probably be
reprinted without any acknowledgment whatever.”
* * * * *
We have been waiting for what we hoped would be a good comment on
Sherwood Anderson’s first novel, _Windy McPherson’s Son_. All we will
say now is that it’s so much worse than Sherwood should ever be.
* * * * *
A few years ago you couldn’t talk to any one who wasn’t writing a play.
Now you can’t talk to any one who isn’t starting a theatre. If everyone
is mad for theatres, who are they that aren’t? Or why haven’t we
municipal theatres? One, out of all this, and that in the town of
Northampton, Massachusetts; and that isn’t what any one but a town would
call a municipal theatre. Sometime I’ll write about Donald Robertson’s
idea for a municipal theatre. He is always damned for being an
idealist—a sure sign that what he has is an idea.
* * * * *
Rabindranath Tagore is coming back to America to lecture. Go, if you
have never seen that slight presence with features drawn of air—with
eyes that seem never to have looked out—and let him put that white spell
of peace upon your complex futility.
You sometimes wonder why men like Dr. Coomaraswamy come telling us
border-ruffians of Art about Ajanta frescoes and sculpture and the music
of India. Perhaps they know our homesickness and know that alone we
can’t even find the road.
* * * * *
Bernhardt is coming again. Well, that’s all right, too. And those who
jeer at her age never could have appreciated her youth. But you, young
ones, see her; and have the double joy of seeing her now; and, if you
have it in you, you will see her then, too.
At bottom everything in literature is useless except literary
pleasure, but literary pleasure depends upon the quality of
sensibility. All discussions die against the wall of personal
sensibility, which is flesh on the inside and on the outside a
wall of stone. There is a way to turn it about, but this you do
not know.—_Remy de Gourmont._
New York Letter
ALLAN ROSS MACDOUGALL
_A New Playhouse and a New Play_
Public-domain text, read in full here on John Shaqi.
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