The Little Review, September 1917 (Vol. 4, No. 5) — John Shaqi
The Little Review, September 1917 (Vol. 4, No. 5)Various
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The Little Review, September 1917 (Vol. 4, No. 5)
Various
Literature, Modern -- 20th century -- Periodicals
THE LITTLE REVIEW
A MAGAZINE OF THE ARTS
MAKING NO COMPROMISE WITH THE PUBLIC TASTES
Margaret Anderson
Publisher
September, 1917
Inferior Religions Wyndham Lewis
L’Homme Moyen Sensuel Ezra Pound
Eeldrop and Appleplex, II: T. S. Eliot
The Passion for Experience
Imaginary Letters, IV: Ezra Pound
The Nonsense about Art for the Many
The Children and Judas Robert Alden Sanborn
The Reader Critic:
Yeats’s “Upon a Dying Lady”
Gargoyles
Phases of Crazes
To our Readers
Announcement for October
Copyright, 1917, by Margaret Anderson.
Published Monthly
MARGARET ANDERSON, Editor
EZRA POUND, Foreign Editor
24 West Sixteenth Street
15 Cents a Copy $1.50 a Year
Entered as second-class matter at Postoffice, New York, N. Y.
THE LITTLE REVIEW
VOL. IV. SEPTEMBER 1917 No. 5
Inferior Religions[1]
Wyndham Lewis
I
To introduce my puppets, and the Wild Body, the generic puppet of all, I
must look back to a time when the antics and solemn gambols of these
wild children filled me with triumph.
The fascinating imbecility of the creaking men-machines, some little
restaurant or fishing-boat works, is the subject of these studies. The
boat’s tackle and dirty little shell keeps their limbs in a monotonous
rhythm of activity. A man gets drunk with his boat as he would with a
merry-go-round. Only it is the staid, everyday drunkenness of the normal
real. We can all see the ascendance a “carrousel” has on men, driving
them into a set narrow intoxication. The wheel at Carisbrooke imposes a
set of movements on the donkey inside it, in drawing water from the
well, that it is easy to grasp. But in the case of a fishing-boat the
variety is so great, the scheme so complex, that it passes as open and
untrammeled life. This subtle and wider mechanism merges, for the
spectator, in the general variety of Nature. Yet we have in most lives a
spectacle as complete as a problem of Euclid.
Moran, Bestre and Brobdingnag are essays in a new human mathematic. But
they are each simple shapes, little monuments of logic. I should like to
compile a book of forty of these propositions, one deriving from and
depending on the other.
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