The Little Room, and Other StoriesWynne, Madeline Yale
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The Little Room, and Other Stories
Wynne, Madeline Yale
American fiction -- 19th century; Short stories, American
‘Then they didn’t have any other kind, white with a gilt edge, for
instance?’
‘Wall, up _here_, blue willer, _if_ it’s the real old kind, is
considered good ’nough for most folks.’
‘Why, of course; I only wish I had any half so nice,’ said Rita,
politely.
‘Be you a chaney collector?’ asked Widder Luke, with a defiant note.
‘Not at all, oh no; but I do wish we could find out whether they ever
did have a gilt-edged set.’
‘Sakes alive! if you really want to know particular, I shouldn’t make
any bones myself about asking Maria. I should like her to know I don’t
bear any grudge against ’em, though we did have a fallin’-out about
that jam, Hannah and me, come ten years ago next August. I shouldn’t
mind showin’ I had friendly interest in them--now, they’re in trouble.’
The ruins of the old house looked small and insignificant in the broad
sunshine. The poplars were shrivelled by the fire, and the thicket of
roses was blackened and trampled; it was as dehumanized as if no one
had lived there for a century.
Mr. Briggs came back to the wagon and said, briskly:
‘Wall! where’ll you go next?’
Rita and Nan hesitated; then Rita said:
‘Do you suppose Miss Maria would like to see us? We met her niece just
before she sailed for Europe. She asked us to call and give her aunts
some messages, but if you think they are too much broken down by the
fire and all--’
‘Oh, no; it will do Maria good--it’s no use cryin’ over spilt milk, or
burnt houses for that matter, and I guess you could look at Hannah too;
she can’t speak, I hear it said, but she lies right in the bed off of
the livin’-room, and most everybody goes in to look at her.’
‘The theatre is nowhere,’ whispered Nan to Rita; ‘but isn’t it ghastly!’
Miss Maria sat in state in the front room at the Fifes’; her black
dress, borrowed from a neighbor, was large for even her plump figure,
and it had a tendency to make her look as if she had been ill for
a long time and had grown thin; her face was pale with the recent
excitement, and wore the air of one who was waiting; she sat quite
erect in the rocking-chair, with her plump hands folded on her lap;
there was an appealing look in her eyes--she missed Hannah; there was
no one to give her a pattern for thought or act. Neighbors passed
in and out, and there was something so passive in Maria’s look that
they talked of her freely as _she_ as if she were not there. There
was plenty of sympathy for her, but it was swept out of sight by the
tide of curiosity and detail,--how the house had caught fire; who had
seen it first; how Hannah slept so heavily she could not be roused
for a long time; how it happened that the well was so low; how the
pump-handle broke; how the men tried to save something, but how little
had been got out! and then, ‘how bad Hannah looks,’ and how old Simeon
Bissell lived ten years after his stroke, and Hannah was younger than
he, and the Keyses were a long-lived family.
Public-domain text, read in full here on John Shaqi.
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