The Little Room, and Other StoriesWynne, Madeline Yale
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The Little Room, and Other Stories
Wynne, Madeline Yale
American fiction -- 19th century; Short stories, American
‘Not a dreamer, if by that you mean that you are sufficiently on
the earth to know how to live; but you are a mixture. I saw an old
tinker yesterday--a tinker and umbrella-mender combined--a little
gray tramp of a fellow, about sixty years old, stubby beard, dirty,
self-possessed, master of himself and of the world so far as he was
concerned in it, with an optimistic vein in spite of some hard luck,
and with the most beautiful clear eyes I ever saw. He was a wanderer--a
traveller, I might say. He had seen the greater part of America, and
understood it, too, and he had seen it all on foot or by means of
stolen car-rides. He fairly made me long to travel, with his tales
of Colorado; he was immensely interesting. I talked with him for
over an hour while he mended my umbrella and put a new ferule on my
cane; and all the time, while I was listening to him, I was thinking:
“Now, here is my friend Rob, just as he would have been without the
mixture”--the mixture being, of course, your scholarly tastes and your
money, half-tinker and half-student. I have no doubt but the tinker had
tastes, too, but he hadn’t the money.’
‘I like the picture of your tinker.’
‘Yes, you do, that is the trouble; and it’s the tinker part of you that
breaks an engagement for a scarf.’
‘What would you have me do--tell Mabel that I am earnest and
interesting, and beg her to marry a tinker?’
‘No, I fancy the thing is better as it is; but I hope the scholar will
have his chance some day. You are thirty?’
‘Thirty and one.’
‘Some study, much travel; a little business--not enough for an anchor;
wit in one pocket, wisdom late in coming--name, Robert Dudley.’
‘And till now a friend of Mark’s.’
‘Always that.’
Rob folded the scarf slowly. It clung to his fingers; it caught
wherever chance blew it; it was fluttered against his face while he
carefully squared the corners together and patiently rolled its misty
length into pocket size.
‘Mabel,’ he said, meditatively and impartially, ‘is much too good for
me; she is moral, without being morbid; she is dignified, without being
stiff; she is generous, but not weak. She reads people as she reads
books. At first she thought I, as a book, was interesting, that I had
an ethical flavor; but she found I was only a sort of art for art’s
sake literature, and she laid me down. I did not interest her more.
She has no sense of humor, and it never occurred to her that her one
chance of cultivating it was to marry me. Now _she_ will be different.’
‘Yes, she will, and some day I shall discover, under a tinker’s garb,
my old friend Bob, mending umbrellas for a living, the mixture having
lost its savor and the money gone.’
‘I have never heard you stick so to a simile--it seems to please you. I
like your tinker idea, but I deny the outcome.’
‘Well, good-bye. I am sorry for it all.’
‘No need for that; Mabel is rid of her tinker--_so_ far, so good; the
rest “lies on the knees of the Gods.”’
Public-domain text, read in full here on John Shaqi.
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