The Little Schoolmaster Mark: A Spiritual RomanceShorthouse, J. H. (Joseph Henry)
Religion
The Little Schoolmaster Mark: A Spiritual Romance
Shorthouse, J. H. (Joseph Henry)
Fiction
Moreover, as the play went on, and the fantastic adventures and fortunes
of its strange actors gradually won the Prince's attention and attracted
his interest, through the gauzy veil of the curtains and the haze of
delicious melody, his desire was excited and he longed to play out his
own part on a real stage, and with tangible, no longer ideal, delights
and success. Why did he sit there gazing at a mere show of life, when
life itself, in a form strangely attractive and prepared--life which he
himself had in some sort formed and created--awaited him, with parts
and scenes, ready for the playing, compared to which all the glamour of
the piece before him was a mere dream-shade? Fortune had been kind to
him; or rather, he thought, his patient loyalty to art had wrought the
usual result. As he had followed his steadfast course, nature, chance,
the confusions and spite of men, had all tended to co-operate with him,
had each supplied a thread of gold to perfect his brilliant woof of
coloured existence. The moment seemed at hand; let him no longer dally
with shadows, but play his own part, compared with which the piece
before him was poor and tame.
* * * * *
"_La petite Salle_," as the Prince had called it--in which supper had
been laid for Tina and the Maestro--was situated at the end of a
splendid "_apartement_," which contained the _salon_ and the other
reception-rooms of the _Hôtel_. It communicated with other rooms and
private staircases, and was therefore peculiarly suitable for purposes
of retirement. It was decorated, with the picturesque daintiness of the
French Court, in panels painted in imitation of Watteau, festooned with
silk, embroidered with flowers. One or two cabinets supporting plate,
and chairs richly embroidered in vari-coloured silk, completed the
furniture. The supper was served on a small round table, with a costly
service of china and Venetian glass.
Tina had accepted the invitation with pleasure. She had feared that this
evening, when the work of another was being performed at the Imperial
Theatre, to the exclusion of his great masterpiece, would have been a
time of great depression with the Maestro, and she resolved to endeavour
to cheer him. She had dressed herself with the greatest care, and
without thought of cost. She had never looked so charming--every day
seemed to mature her beauty. The supper was all that could have been
expected or wished; nevertheless the Maestro was distrait and even
sulky. Tina lavished her bewitching wiles and enchantments upon him in
vain.
After the first course or two, which, it must be admitted, were served
by the attendants in a somewhat perfunctory manner, the Maestro
dismissed the servants, saying that the Signorina and he would prefer
waiting upon themselves: dumb waiters, containing wines and other
accessories, were placed by the table's side, and the servants left the
room.
Public-domain text, read in full here on John Shaqi.
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