According to a magazinist, the first mention of tea by an
Englishman is to be found in a letter from Mr. Wickham, an
agent of the East India Company, written from Japan, on the
27th of June, 1615, to Mr. Eaton, another officer of the
company, a resident of Macao, asking him to send "a pot of the
best chaw." In Mr. Eaton's accounts of expenditure occurs this
item:
"Three silver porringiys to drink chaw in."
_AUSTRALIAN TEA_
In the interior of Australia all the men drink tea. They drink it
all day long, and in quantities and at a strength that would seem
to be poisonous. On Sunday morning the tea-maker starts with a
clean pot and a clean record. The pot is hung over the fire with a
sufficiency of water in it for the day's brew, and when this has
boiled he pours into it enough of the fragrant herb to produce a
deep, coffee-colored liquid.
On Monday, without removing yesterday's tea-leaves, he repeats
the process; on Tuesday da capo and on Wednesday da capo, and
so on through the week. Toward the close of it the great
pot is filled with an acrid mash of tea-leaves, out of which
the liquor is squeezed by the pressure of a tin cup.
By this time the tea is of the color of rusty iron, incredibly bitter
and disagreeable to the uneducated palate. The native calls it
"real good old post and rails," the simile being obviously drawn
from a stiff and dangerous jump, and regards it as having been
brought to perfection.
_FIVE-O'CLOCK TEA_
There is a fallacy among certain tea-fanciers that the origin of
five-o'clock tea was due to hygienic demand. These students of
the stomach contend that as a tonic and gentle stimulant, when
not taken with meat, it is not to be equalled. With meat or any
but light food it is considered harmful. Taken between luncheon
and dinner it drives away fatigue and acts as a tonic. This is
good if true, but it is only a theory, after all. Our theory is that
five o'clock in the afternoon is the ladies' leisure hour, and that
the taking of tea at that time is an escape from _ennui_.
_TEA IN LADIES' NOVELS_
What would women novelists do without tea in their books?
The novelists of the rougher sex write of "over the coffee and
cigars"; or, "around the gay and festive board"; or, "over a
bottle of old port"; or, "another bottle of dry and sparkling
champagne was cracked"; or, "and the succulent welsh rarebits
were washed down with royal mugs of musty ale"; or, "as the
storm grew fiercer, the captain ordered all hands to splice the
main brace," _i. e._, to take a drink of rum; or, "as he gulped
down the last drink of fiery whiskey, he reeled through the
tavern door, and his swaying form drifted into the bleak, black
night, as a roar of laughter drowned his repentant sobs." But the
ladies of the novel confine themselves almost exclusively to
tea--rarely allowing their heroes and heroines to indulge in even
coffee, though they sometimes treat their heroes to wine; but
their heroines rarely get anything from them but Oolong.
Public-domain text, read in full here on John Shaqi.
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