In the drama of the past
Thou art featured in the cast;
(O Tea!)
And thou hast played thy part
With never a change of heart,
(O Tea!)
For 'mid all the ding and dong
Waits a welcome--soothing song,
For fragrant Hyson and Oolong.
. . .
A song of peace, through all the years,
Of fireside fancies, devoid of fears,
Of mothers' talks and mothers' lays,
Of grandmothers' comforts--quiet ways.
Of gossip, perhaps--still and yet--
What of Johnson? Would we forget
The pictured cup; those merry times,
When round the board, with ready rhymes
Waller, Dryden, and Addison--Young,
Grave Pope to Gay, when Cowper sung?
Sydney Smith, too; gentle Lamb brew,
Tennyson, Dickens, Doctor Holmes knew.
The cup that cheered, those sober souls,
And tiny tea-trays, samovars, and bowls.
. . .
So here's a toast to the queen of plants,
The queen of plants--Bohea!
Good wife, ring for your maiden aunts,
We'll all have cups of tea.
--ARTHUR GRAY.
_TEA TERMS_
JAPANESE
Ori-mono-châ . . . Folded Tea
Giy-ôku-ro-châ . . . Dew Drop Tea
Usu-châ . . . Light Tea
Koi-châ . . . Dark Tea
Tô-bi-dashi-châ . . . Sifted Tea
Ban-châ . . . Common Tea
Yu-Shiyutsu-châ . . . Export Tea
Neri-châ . . . Brick Tea
Koku-châ . . . Black Tea
Ko-châ . . . Tea Dust Broken Leaves
Riyoku-châ . . . Green Tea
CHINESE
Bohea . . . "Happy Establishment"
So called after two ranges of hills, Fu-Kien or Fo-Kien
Congou . . . Labor
Named so at Amoy from the labor in preparing it.
Sou chong . . . Small Kind
Hyson . . . Flourishing Spring
Pe-koe . . . White Hair
So called because only the youngest leaves are gathered,
which still have the delicate down--white hair--on
the surface.
Pou-chong . . . Folded Tea
So called at Canton after the manner of picking it.
Brick Tea--prepared in Central China from the commonest sorts
of tea, by soaking the tea refuse, such as broken leaves,
twigs, and dust, in boiling water and then pressing them into
moulds. Used in Siberia and Mongolia, where it also serves
as a medium of exchange. The Mongols place the bricks,
when testing the quality, on the head, and try to pull
downward over the eyes. They reject the brick as worthless
if it breaks or bends.
[Illustration of Japanese woman]
_TEA LEAVES_
BY JOHN ERNEST MCCANN
Public-domain text, read in full here on John Shaqi.
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