United States -- History -- Civil War, 1861-1865 -- Juvenile fiction
Mrs. Cary turned away to hide her laughter. "How did you catch him?"
"How?" repeated Uncle Billy, while his ancient mind worked with unusual
rapidity. "I got down on all fo's in the thick weeds, an' cluk like a
hen. An' den ol' Mr. Rooster, he came 'long over to see ef I done laid
an aig--an' I des reach right out an' take him home to de Lawd."
"Oh, Uncle Billy," his mistress laughed. "I'm afraid you're
incorrigible. It's a dreadful thing to doubt one's very dinner. Isn't
it?"
"Yas'm. An' I was des 'bout to say ef you an' Miss Virgie kin worry down
de white meat, maybe den dis here bird 'll kinder git eben wid me when I
tackle his drum sticks. Yas'm," and with a final chuckle of joy over his
success the old man hobbled quickly away in the direction of the
kitchen.
Mrs. Cary, still smiling, went back to play Mrs. Fatima to a dusky
moss-covered Blue Beard.
"Oh goody, goody, here is Mrs. Fatima again!" and Virgie's dancing feet
seemed hardly to touch the ground. "We've just finished building the
castle. Look!" She pointed proudly to a square of twigs and leaves
around the garden seat. "Come on, Sally Ann. We can play it now and use
Mamma's keys."
"Wait dar! Whar'd I put my s'wode?" And Sally Ann snatched up her
dangerous weapon and thrust it into a rope around her waist. "Now I'se
ready fo' killin' folks."
"But we have to begin where Blue Beard goes away on a journey," Virgie
cried. "Susan Jemima, you sit there on the bench and clap your hands.
Get up, Mamma. Go ahead, Sally Ann!"
"'Ooman," said Sally Ann, strutting up to her mistress and frowning
terribly. "I'se gwine away fer a night an' a day. Dese yere is de keys
to de castle."
"Yes, sir," was the meek response.
Sally Ann Blue Beard pointed to an imaginary door halfway between them
and where Virgie sat on the steps, wriggling with delight. "You kin look
in ev'ry room in de house--castle, I means--'cept in des dat one.
Orn'estan me? _Des dat one!_ But ef yo' looks in _dar_,--Gawd he'p you.
I gwine cut yo' haid off," and the fearful sword whizzed threateningly
through the air. "Fyarwell--fyarwell."
"Farewell, my lord," said Mrs. Cary, and then in a whisper, as Blue
Beard stalked away to hide behind a tree. "What _do_ we do now?
_Quick_!"
"Now I come in," cried Virgie. "I'm 'Sister Anne' that looks for the
horseman in the cloud of dust." And jumping up, the child managed to
change the tones of her voice in a surprising manner.
"Good morning, fair sister. Blue Beard has gone away, and now we can
look in his secret room."
"No, Sister Anne, No! I dare not," and Mrs. Fatima shrank back full of
fear from the imaginary door. "Urge me no more. I am afraid."
"But, Mother," cried Virgie, with a little squeal of disappointment.
"You _have_ to. It's part of the play," and she led her up to the
invisible door.
"Now look in--and when you look--drop the keys--an' we'll both scream."
Public-domain text, read in full here on John Shaqi.
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