I was oppressed by such unexpected kindness that sleep fled my eyes. In
the morning I presented my compassionate landlady with two of the four
brass buttons which remained on my waistcoat, the only recompense I
could make her.”
Although Mansong refused to admit our traveller into his presence, and
seemed at first to neglect him, it soon appeared that this conduct did
not arise from any churlish or inhospitable feelings; for while he
persisted in his refusal to see him, and signified his pleasure that he
should forthwith depart from the city, he sent him a present of five
thousand cowries and a guide to Sansanding. Park immediately obeyed
the royal command, and learned from the conversation of his guide on
the way, that the king’s motives for thus dismissing him without an
audience were at once prudent and liberal, since he feared that by the
least show of favour he should excite the jealousy and envy of the
Moorish inhabitants, from whose inveterate malice he might be unable to
protect him.
With this guide he proceeded to Sansanding, where he was hospitably
received by the dooty, and would, as the king’s stranger, have enjoyed
much quiet and consideration, had he not had the misfortune to meet
with some of his old enemies the Moors, who insisted on conducting him
to the mosque, and converting him into a Mohammedan at once. However,
the dooty, by exerting his authority, freed him from these fanatics,
and ordered a sheep to be killed, and part of it dressed for his
supper. “About midnight, when the Moors had left me,” says Park, “he
paid me a visit, and with much earnestness desired me to write him a
saphie. ‘If a Moor’s saphie is good,’ said this hospitable old man, ‘a
white man’s must needs be better.’ I readily furnished him with one
possessed of all the virtues I could concentrate, for it contained the
Lord’s Prayer. The pen with which it was written was made of a reed, a
little charcoal and gum-water made very tolerable ink, and a thin board
answered the purpose of paper.”
Public-domain text, read in full here on John Shaqi.
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