But it is worthy of note that of all these paintings those of the vaults are much the best preserved since they are less injured by the dust and other accidents. When these works were finished Giovanni set about painting the walls beneath, namely those beneath the windows, and he did some things there, but as he was summoned to Florence on some affairs of his own, he did not pursue the task, which was finished by Giotto many years after, as will be related when the time comes. Cimabue having thus returned to Florence painted in the cloister of S. Spirito, where the whole length of wall towards the church is done in the Byzantine style by other masters, events from the life of Christ, in three arches, with considerable excellence of design. At the same time, he sent to Empoli some things executed by him in Florence, which are held in great reverence to this day in the Pieve of that town. He next painted a picture of Our Lady for the church of S. Maria Novella, where it hangs high up between the chapel of the Rucellai and that of the Bardi of Vernio. The figure was of a larger size than any which had been executed up to that time, and the angels about it show that, although be still had the Byzantine style, he was making, some progress towards the lineaments and methods of modern times. The people of that day, who had never seen anything better, considered this work so marvellous, that they carried it to the church from Cimabue's house in a stately procession with great rejoicing and blowing of trumpets, while Cimabue himself was highly rewarded and honoured. It is reported, and some records of the old painters relate that while Cimabue was painting this picture in some gardens near the gate of S. Piero, the old king Charles of Anjou passed through Florence. Among the many entertainments prepared for him by the men of the city, they brought him to see the picture of Cimabue. As it had not then been seen by anyone, all the men and women of Florence flocked thither in a crowd, with the greatest rejoicings, so that those who lived in the neighbourhood called the place Borgo Allegri (Joyful Quarter), because of the rejoicing there. This name it has ever afterwards retained, being in the course of time enclosed within the walls of the city.