The Lives of the Painters, Sculptors & Architects, Volume 1 (of 8)Vasari, Giorgio
History
The Lives of the Painters, Sculptors & Architects, Volume 1 (of 8)
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
and other animals, also bearing burdens. In the arch above he made
the twelve months in relief, with varied fancies, each month with its
zodiacal sign, a work which must have been considered marvellous in
those times.
About the same time the order of the friars minors of St Francis was
established, which, after it had been confirmed by Pope Innocent
III., increased the general devoutness and the number of friars, not
only in Italy, but in every part of the world, to such an extent,
that there was scarcely a city of note which did not build churches
and convents for them at very great cost, each one according to its
ability. Thus brother Elias, who was superior of that order at
Assisi, founded a church, dedicated to Our Lady in that place, two
years before the death of St Francis, while the saint, as general of
the order, was away preaching. After the death of St Francis all
Christendom crowded to visit the body of a man, who, both in life and
in death, was known to have been so much beloved of God. As every man
did alms to the saint according to his ability, it was determined
that the church begun by friar Elias should be made much larger and
more magnificent. But since there was a scarcity of good architects,
and as the work demanded an excellent one, it being necessary to
erect the building on a very high hill, round the base of which runs
a torrent called Tescio, a German master named Jacopo was brought to
Assisi after much deliberation, as being the best man who was then to
be found. After he had examined the site and understood the wishes of
the friars, who held a chapter general at Assisi for the purpose, he
designed a most beautiful church and convent, making it in three
stories. One of these was underground, while the two others served as
churches, the lower one to be a vestibule with a portico of
considerable size about it, the other as the church proper. The
ascent from the first to the second was managed by means of a very
convenient arrangement of steps, which encircled the chapel and which
were divided into two flights for the sake of greater comfort,
leading up to the second church. He built this in the form of the
letter T, making it five times as long as it was broad, dividing one
nave from the other by great stone pillars, uniting them with stout
arches, between which he set up the vaulting. This truly monumental
work then was carried out from such plans in every detail, except
that he did not use the Cross vaulting on the walls between the body
of the church and the principal chapel, but employed barrel vaulting
for the sake of greater strength. He afterwards placed the altar
before the principal chapel of the lower church, and when this was
finished he deposited the body of St Francis beneath, after a most
solemn translation. And because the tomb of the glorious saint is in
the first or lower church, where no one ever goes, and which has its
doors walled up, there is a magnificent iron railing about the altar,
Public-domain text, read in full here on John Shaqi.
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