The Lives of the Painters, Sculptors & Architects, Volume 1 (of 8)Vasari, Giorgio
History
The Lives of the Painters, Sculptors & Architects, Volume 1 (of 8)
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
_Anno Domini MCXVI. Kal. Aug. obiit D. Matilda felisis memoriae
comitissa, quae pro anima genetricis suae D. Beatricis comitissae
venerabilis in hoc tumba honorabili quiescsnts in multis partis
mirificc hanc dotavit ecclesiam, quarum animae requiescent in pace_.
And then follows:
_Anno Domini MCCCIII. sub dignissimo optrario Burgundio Tadi
occasione graduum fiendorum per ipsum circa ecclesiam supradictam
tumba superius notata bis trantlata fuit, nunc de sedibus primis in
ecclesiam, nunc de ecclesia in hunc locum, ut cernitis eccelentem_.
Niccola, considering the excellence of this work, which greatly
delighted him, applied such diligence in imitating that style,
studying carefully both the sarcophagus and other excellent
sculptures on other antique sarcophagi, that before long he was
considered the best sculptor of his time. There was indeed, after
Arnolfo, no other sculptor of repute in Tuscany except Fuccio, a
Florentine architect and sculptor. Fuccio designed S. Maria sopra
Arno at Florence in 1229, putting his name over the door. The marble
tomb of the queen of Cyprus in the church of St Francis of Assisi is
also his work. It contains a number of figures, the principal one
being the queen herself, seated on a lion, as emblematical of her
strength of mind. She had bequeathed a large sum of money for the
completion of these works.
Niccola having proved himself a much greater master than Fuccio, was
summoned to Bologna in 1225 to make a marble tomb for St Domenic
Calagora, founder of the order of the Friars Preachers, then
recently deceased. Having, arranged with those who had charge of the
work, he designed a tomb full of figures, as may be seen at this
day. The task was completed in 1231, and the finished tomb was
greatly praised, it being considered a remarkable work, and the best
piece of sculpture executed up to that time. He further made plans
for the church there and for a great part of the convent. On
returning to Tuscany, he learned that Fuccio had set out from
Florence and was gone to Rome, at the time when the Emperor Frederick
was crowned there by Honorius. From Rome Fuccio accompanied Frederick
to Naples, where he finished the castle of Capoana, now called "la
Vicheria," where all the courts of that kingdom are held. He also
completed the Castel del' Uovo, founding the towers, made the gate on
the side of the River Volturno at Capua, constructed a park near
Gravina for fowling, enclosing it by a wall, and made another at
Amalfi for winter hunting, besides many other things which are
omitted for the sake of brevity.
Public-domain text, read in full here on John Shaqi.
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