In court to serve decked with fresh araye, Of sugared meats seling the sweet repast, The life in blankets, and sundry kinds of playe, Amidst the press the worldly looks to waste, Hath with it joyned oft such bitter taste, That whoso joys such kind of life to holde, In prison joys, fetter'd with chains of golde. * * * * * THOMAS SACKVILLE, Earl DORSET Was son of Richard Sackville and Winifrede, daughter of Sir John Bruges, Lord of London.[1] He was born at Buckhurst in the parish of Withiam in Suffex, and from his childhood was distinguished for wit and manly behaviour: He was first of the University of Oxford, but taking no degree there, he went to Cambridge, and commenced master of arts; he afterwards studied the law in the Inner-Temple, and became a barrister; but his genius being too lively to be confined to a dull plodding study, he chose rather to dedicate his hours to poetry and pleasure; he was the first that wrote scenes in verse, the Tragedy of Ferrex and Perrex, sons to Gorboduc King of Britain, being performed in the presence of Queen Elizabeth, long before Shakespear appeared[2] on the stage, by the Gentlemen of the Inner-Temple, at Whitehall the 18th of January, 1561, which Sir Philip Sidney thus characterises: "It is full of stately speeches, and well founding phrases, climbing to the height of Seneca's stile, and as full of notable morality, which it doth most delightfully teach, and so obtain the very end of poetry." In the course of his studies, he was most delighted with the history of his own country, and being likewise well acquainted with antient history, he formed a design of writing the lives of several great personages in verse, of which we have a specimen in a book published 1610, called the Mirror of Magistrates, being a true Chronicle History of the untimely falls of such unfortunate princes and men of note, as have happened since the first entrance of Brute into this Island until his own time. It appears by a preface of Richard Nicolls, that the original plan of the Mirror of Magistrates was principally owing to him, a work of great labour, use and beauty. The induction, from which I shall quote a few lines, is indeed a master-piece, and if the-whole could have been compleated in the same manner, it would have been an honour to the nation to this day, nor could have sunk under the ruins of time; but the courtier put an end to the poet; and one cannot help wishing for the sake of our national reputation, that his rise at court had been a little longer delayed: It may easily be seen that allegory was brought to great perfection before the appearance of Spencer, and if Mr. Sackville did not surpass him, it was because he had the disadvantage of writing first. Agreeable to what Tasso exclaimed on seeing Guarini's Pastor Fido; 'If he had not seen my Aminta, he had not excelled it.'