The Lives of the Poets of Great Britain and Ireland (1753) Volume IV. — John Shaqi
The Lives of the Poets of Great Britain and Ireland (1753) Volume IV.Cibber, Theophilus
General
The Lives of the Poets of Great Britain and Ireland (1753) Volume IV.
Cibber, Theophilus
Poets, English -- Biography -- Early works to 1800; Poets, Irish -- Biography -- Early works to 1800
'It has been often said by good judges, that Cato was no proper
subject for a dramatic poem: That the character of a stoic
philosopher, is inconsistent with the hurry and tumult of action,
and passions which are the soul of tragedy. That the ingenious author
miscarried in the plan of his work, but supported it by the dignity,
the purity, the beauty, and justness of the sentiments. This was so
much the opinion of Mr. Maynwaring, who was generally allowed to be
the best critic of our time; that he was against bringing the play
upon the stage, and it lay by unfinished many years. That it was
play'd at last was owing to Mr. Hughes. He had read the four acts
which were finished, and really thought it would be of service to
the public, to have it represented at the latter end of queen
Anne's reign, when the spirit of liberty was likely to be lost. He
endeavoured to bring Mr. Addison into his opinion, which he did, and
consented it should be acted if Mr. Hughes would write the last act;
and he offered him the scenery for his assistance, excusing his
not finishing it himself, upon account of some other avocations. He
press'd Mr. Hughes to do it so earnestly, that he was prevailed upon,
and set about it. But, a week after, seeing Mr. Addison again, with
an intention to communicate to him what he thought of it, he was
agreeably surprized at his producing some papers, where near half of
the act was written by the author himself, who took fire at the hint,
that it would be serviceable; and, upon a second reflexion, went
through with the fifth act, not that he was diffident of Mr. Hughes's
abilities; but knowing that no man could have so perfect a notion of
his design as himself, who had been so long, and so carefully thinking
of it. I was told this by Mr. Hughes, and I tell it to shew, that it
was not for the love-scenes, that Mr. Addison consented to have his
Tragedy acted, but to support public spirit; which in the opinion of
the author was then declining.'
In the year 1720 the Siege of Damascus was acted at the Theatre-Royal
in Drury-Lane, with universal applause. His present majesty honoured
it with his presence, and the late queen distinguished it with marks
of favour.
Mr. Hughes drew up the dedication of this Tragedy to the late Earl
Cowper, about ten days before he died. It is indeed surprising, that
he should be able to form a piece so finely turned, and at such
an hour; when death was just before him, and he was too weak to
transcribe it himself.
Mr. Pope, in a letter to Mr. Hughes's brother, written soon after his
death, in answer to one received from him, with the printed copy of
the play, has the following pathetic passage.
Public-domain text, read in full here on John Shaqi.
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