The Lives of the Poets of Great Britain and Ireland (1753) Volume V.Cibber, Theophilus
General
The Lives of the Poets of Great Britain and Ireland (1753) Volume V.
Cibber, Theophilus
Poets, English -- Biography -- Early works to 1800; Poets, Irish -- Biography -- Early works to 1800
While these, the chosen beauties of our isle,
Propitious on the cause of freedom smile,
The rash Pretender's hopes we may despise,
And trust Britannia's safety to their eyes.
After the accession of his late majesty, Mr. Philips was made a justice
of peace, and appointed a commissioner of the lottery. But though his
circumstances were easy, the state of his mind was not so; he fell under
the severe displeasure of Mr. Pope, who has satirized him with his usual
keenness.
'Twas said, he used to mention Mr. Pope as an enemy to the government;
and that he was the avowed author of a report, very industriously
spread, that he had a hand in a paper called The Examiner. The revenge
which Mr. Pope took in consequence of this abuse, greatly ruffled the
temper of Mr. Philips, who as he was not equal to him in wit, had
recourse to another weapon; in the exercise of which no great parts are
requisite. He hung up a rod at Button's, with which he resolved to
chastise his antagonist, whenever he should come there. But Mr. Pope,
who got notice of this design, very prudently declined coming to a
place, where in all probability he must have felt the resentment of an
enraged author, as much superior to him in bodily strength, as inferior
in wit and genius.
When Mr. Philips's friend, Dr. Boulter, rose to be archbishop of Dublin,
he went with him into Ireland, where he had considerable preferments;
and was a member of the House of Commons there, as representative of the
county of Armagh.
Notwithstanding the ridicule which Mr. Philips has drawn upon himself,
by his opposition to Pope, and the disadvantageous light his Pastorals
appear in, when compared with his; yet, there is good reason to believe,
that Mr. Philips was no mean Arcadian: By endeavouring to imitate too
servilely the manners and sentiments of vulgar rustics, he has sometimes
raised a laugh against him; yet there are in some of his Pastorals a
natural simplicity, a true Doric dialect, and very graphical
descriptions.
Mr. Gildon, in his compleat Art of Poetry, mentions him with Theocritus
and Virgil; but then he defeats the purpose of his compliment, for by
carrying the similitude too far, he renders his panegyric hyperbolical.
Public-domain text, read in full here on John Shaqi.
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