The Lives of the Twelve Caesars, Volume 06: NeroSuetonius
History
The Lives of the Twelve Caesars, Volume 06: Nero
Suetonius
Emperors -- Rome -- Biography -- Early works to 1800; Rome -- History -- Empire, 30 B.C.-284 A.D.
XX. Among the other liberal arts which he was taught in his youth, he
was instructed in music; and immediately after (350) his advancement to
the empire, he sent for Terpnus, a performer upon the harp [582], who
flourished at that time with the highest reputation. Sitting with him
for several days following, as he sang and played after supper, until
late at night, he began by degrees to practise upon the instrument
himself. Nor did he omit any of those expedients which artists in music
adopt, for the preservation and improvement of their voices. He would
lie upon his back with a sheet of lead upon his breast, clear his stomach
and bowels by vomits and clysters, and forbear the eating of fruits, or
food prejudicial to the voice. Encouraged by his proficiency, though his
voice was naturally neither loud nor clear, he was desirous of appearing
upon the stage, frequently repeating amongst his friends a Greek proverb
to this effect: "that no one had any regard for music which they never
heard." Accordingly, he made his first public appearance at Naples; and
although the theatre quivered with the sudden shock of an earthquake, he
did not desist, until he had finished the piece of music he had begun.
He played and sung in the same place several times, and for several days
together; taking only now and then a little respite to refresh his voice.
Impatient of retirement, it was his custom to go from the bath to the
theatre; and after dining in the orchestra, amidst a crowded assembly of
the people, he promised them in Greek [583], "that after he had drank a
little, he would give them a tune which would make their ears tingle."
Being highly pleased with the songs that were sung in his praise by some
Alexandrians belonging to the fleet just arrived at Naples [584], he sent
for more of the like singers from Alexandria. At the same time, he chose
young men of the equestrian order, and above five thousand robust young
fellows from the common people, on purpose to learn various kinds of
applause, called bombi, imbrices, and testae [585], which they were to
practise in his favour, whenever he performed. They were (351) divided
into several parties, and were remarkable for their fine heads of hair,
and were extremely well dressed, with rings upon their left hands. The
leaders of these bands had salaries of forty thousand sesterces allowed
them.
Public-domain text, read in full here on John Shaqi.
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