The Lives of the Twelve Caesars, Volume 06: NeroSuetonius
History
The Lives of the Twelve Caesars, Volume 06: Nero
Suetonius
Emperors -- Rome -- Biography -- Early works to 1800; Rome -- History -- Empire, 30 B.C.-284 A.D.
XXIII. He afterwards appeared at the celebration of all public games in
Greece: for such as fell in different years, he brought within the
compass of one, and some he ordered to be celebrated a second time in the
same year. At Olympia, likewise, contrary to custom, he appointed a
public performance in music: and that he might meet with no interruption
in this employment, when he was informed by his freedman Helius, that
affairs at Rome required his presence, he wrote to him in these words:
"Though now all your hopes and wishes are for my speedy return, yet you
ought rather to advise and hope that I may come back with a character
worthy of Nero." During the time of his musical performance, nobody was
allowed to stir out of the theatre upon any account, however necessary;
insomuch, that it is said some women with child were delivered there.
Many of the spectators being quite wearied with hearing and applauding
him, because the town gates were shut, slipped privately over the walls;
or counterfeiting themselves dead, were carried out for their funeral.
With what extreme anxiety he engaged in these contests, with what keen
desire to bear away the prize, and with how much awe of the judges, is
scarcely to be believed. As if his adversaries had been on a level with
himself, he would watch them narrowly, defame them privately, and
sometimes, upon meeting them, rail at them in very scurrilous language;
or bribe them, if they were better performers than himself. He always
addressed the judges with the most profound reverence before he began,
telling them, "he had done all things that were necessary, by way of
preparation, but that the issue of the approaching trial was in the hand
of fortune; and that they, as wise and skilful men, ought to exclude from
their judgment things merely accidental." Upon their encouraging him to
have a good heart, he went off with more assurance, but not entirely free
from anxiety; interpreting the silence and modesty of some of them into
sourness and ill-nature, and saying that he was suspicious of them.
Public-domain text, read in full here on John Shaqi.
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