The Lives of the Twelve Caesars, Volume 06: Nero — John Shaqi
The Lives of the Twelve Caesars, Volume 06: NeroSuetonius
History
The Lives of the Twelve Caesars, Volume 06: Nero
Suetonius
Emperors -- Rome -- Biography -- Early works to 1800; Rome -- History -- Empire, 30 B.C.-284 A.D.
XXV. On his return from Greece, arriving at Naples, because he had
commenced his career as a public performer in that city, he made his
entrance in a chariot drawn by white horses through a breach in the
city-wall, according to the practice of those who were victorious in the
sacred Grecian games. In the same manner he entered Antium, Alba, and
Rome. He made his entry into the city riding in the same chariot in
which Augustus had triumphed, in a purple tunic, and a cloak embroidered
with golden stars, having on his head the crown won at Olympia, and in
his right hand that which was given him at the Parthian games: the rest
being carried in a procession before him, with inscriptions denoting the
places where they had been won, from whom, and in what plays or musical
performances; whilst a train followed him with loud acclamations, crying
out, that "they (355) were the emperor's attendants, and the soldiers of
his triumph." Having then caused an arch of the Circus Maximus [588] to
be taken down, he passed through the breach, as also through the Velabrum
[589] and the forum, to the Palatine hill and the temple of Apollo.
Everywhere as he marched along, victims were slain, whilst the streets
were strewed with saffron, and birds, chaplets, and sweetmeats scattered
abroad. He suspended the sacred crowns in his chamber, about his beds,
and caused statues of himself to be erected in the attire of a harper,
and had his likeness stamped upon the coin in the same dress. After this
period, he was so far from abating any thing of his application to music,
that, for the preservation of his voice, he never addressed the soldiers
but by messages, or with some person to deliver his speeches for him,
when he thought fit to make his appearance amongst them. Nor did he ever
do any thing either in jest or earnest, without a voice-master standing
by him to caution him against overstraining his vocal organs, and to
apply a handkerchief to his mouth when he did. He offered his
friendship, or avowed (356) open enmity to many, according as they were
lavish or sparing in giving him their applause.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account