If we except the Aeneid, this is the only Latin production extant which is epic in its form; and it likewise approaches nearest in merit to that celebrated poem, which Statius appears to have been ambitious of emulating. In unity and greatness of action, the Thebais corresponds to the laws of the Epopea; but the fable may be regarded as defective in some particulars, which, however, arise more from the nature of the subject, than from any fault of the poet. The distinction of the hero is not sufficiently prominent; and the poem possesses not those circumstances which are requisite towards interesting the reader's affections in the issue of the contest. To this it may be added, that the unnatural complexion of the incestuous progeny diffuses a kind of gloom which obscures the splendour of thought, and restrains the sympathetic indulgence of fancy to some of the boldest excursions of the poet. For grandeur, however, and animation of sentiment and description, as well as for harmony of numbers, the Thebais is eminently conspicuous, and deserves to be held in a much higher degree of estimation than it has (502) generally obtained. In the contrivance of some of the episodes, and frequently in the modes of expression, Statius keeps an attentive eye to the style of Virgil. It is said that he was twelve years employed in the composition of this poem; and we have his own authority for affirming, that he polished it with all the care and assiduity practised by the poets in the Augustan age: Quippe, te fido monitore, nostra Thebais, multa cruciata lima, Tentat audaci fide Mantuanae Gaudia famae.--Silvae, lib. iv. 7. For, taught by you, with steadfast care I trim my "Song of Thebes," and dare With generous rivalry to share The glories of the Mantuan bard.