The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920Various
General
The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920
Various
English literature -- Periodicals; London (England) -- Periodicals
Mr. Cannan's book contains a gentleman named Perekatov with a "massive
Jewish face, thick, sensitive lips, a heavy blue chin, and tragic,
short-sighted eyes," another gentleman named Stephen Lawrie, whose
characteristics are not so obvious, and a young lady named Valérie
du Toit, who appears to be the incarnation of all that Mr. Cannan
considers glorious. The thesis of the story, so far as we have been
able to discern it in the gyrations of these and other characters, is
that the true England was not in the war, but sat unheeded, forgotten,
alone, in a little garret until the fighting was over. Mr. Cannan is
plainly dissatisfied about something, but he lacks a brain sufficiently
clear to make the reader understand what it is or what he wishes done.
Meanwhile he creates unreal scenes of physical and mental misery and
squalor through which the stoutest hearted could not drag themselves
unyawning or undepressed. Their yawns and their depression are, it is
true, in some sort a tribute to Mr. Cannan's powers. He creates these
scenes with a certain vigour and finish, but his qualities will be for
ever wasted unless he can raise himself out of his present state of
aimless gloom.
Mr. Hudson, perhaps even more than Mr. Cannan, has forgotten the
limitations imposed on him by his material, which is life. In this
story of Richard Kurt, his shallow and philandering wife, Elinor, and
his crafty young mistress, Virginia, he seems to suppose that nothing
more than his bare word is needed to carry off impossible events
and unnatural psychology. But the novelist's task is not so easy as
this. He cannot secure originality by willing it or by producing an
unexpected situation out of the void. The unusual situation must be
justified, not only by itself, but by all that has preceded it. The
novel effect which is obtained by suddenly altering a character already
defined is below childishness. As for the rest, this is a tale of the
idle and indigent rich and their experiments in adultery. Richard
Kurt appears to be a perfectly worthless person, so irritating in his
sins and weaknesses, that it is easy to understand the feelings of
his disagreeable father and his frivolous, selfish, restless wife.
Virginia, unfortunately, does not in a strict sense, exist. The maiden,
whose one desire it is to be seduced without appearing to consent or
even to be aware of the incident, may live somewhere in the case-books
of the pathologists; but Mr. Hudson has not delivered her from that
prison-house. He tells us that such was her behaviour and such her
motives, but the reader involuntarily declines to accept the assertion.
Nor is it likely that the reader would much care if it were true.
OVER AND ABOVE. By J. E. GURDON. Collins. 7_s._ 6_d._ net.
Public-domain text, read in full here on John Shaqi.
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