The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920Various
General
The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920
Various
English literature -- Periodicals; London (England) -- Periodicals
The same judgment applies with equal force to Mr. Lynch's talent. The
difference between him and Mr. Swinnerton is that he has taken the
trouble to make the best he can of his theme, which is exiguous and yet
sufficient. The story turns on Jimmy Guise's gradual discovery of his
wife's worthlessness; and the hasty reader might complain that in a
short book Mr. Lynch has spent a great deal of time over a very small
matter. But those who range through contemporary fiction, anxious to
be hopeful, will be more interested in the care which he has spent
on every facet of the tale. The device, by which Jimmy is at once
presented, full length and in detail, to the reader, while Blanche is
gradually discovered, is one of those solid and sufficient inventions
which immediately command respect. The exact and measured discovery
of her worthlessness takes place by slow, inexorable degrees which
show that the author has never once relaxed his vigilance over his
composition. There are, it is true, irrelevancies even in so short a
work. Jessie Carruthers was not really necessary as a foil to Blanche.
The "New Department," though it is deliciously sketched, takes too
prominent a place. But these irrelevancies do not noticeably distort
the general scheme, and are in fact probably the result of Mr. Lynch's
unconscious recognition that his plot was a little too slender for even
so brief a novel. But, in spite of this initial difficulty, _The Tender
Conscience_ is a very creditable and satisfactory performance and gives
grounds for looking forward with much interest to Mr. Lynch's future
development.
The novels of Mr. Gilbert Cannan and Mr. Stephen Hudson are of the
sort in which an attempt is made to simulate distinction by gratuitous
eccentricity. Some painters, in order to improve the landscapes with
which nature has provided them, screw up their eyes until the scene
before them runs into a confused blur. Mr. Cannan and Mr. Hudson
make this grimace before the spectacle of life. It is a fashion like
another, but it has less usefulness and, we imagine, less durability
than the novel of adolescence.
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