Turning to other events--the exhibition of foreign artists at the Mansard Gallery, which has recently closed, is, I believe, the first one of its kind since the post-impressionist Exhibition at the Grafton Galleries before the war. Now, as then, I fancy, it will be found to be a case of a little garden in a patch of wilderness. Mr. Clive Bell would perhaps have us bow unreservedly before the lions of the continent, but I feel that some of the artists are only repeating with variations the themes given out by their forerunners. Even the work of the accepted masters, such as Picasso and Derain, and so forth, does not seem quite convincing at first sight, but perhaps these were acting purposely as foils to their younger contemporaries. The Exhibition was, nevertheless, of great interest, especially if we may take it to show roughly the various tendencies of continental art. The Memorial Exhibition of the works of Harold Gilman at the Leicester Galleries deserves special notice. Harold Gilman died suddenly of influenza this spring. To everyone who knew him his death must have come as a severe shock; his unfailing courtesy and true gentleness of manner had endeared him to many. As an artist, the sane outlook and sincere purpose in his work were valuable assets to whatever movement he was connected with. It is difficult at this time to estimate his value as a painter, but I am inclined to think it will be considerable. He had elaborated a fine sense of colour which was as effective in his painting as it was useful in his teaching. His work, hung all together in this exhibition, seems far more striking than when seen in isolated examples, the drawings forming a decidedly important part of the whole. He was not accustomed to show these drawings nor did he seem to value them very much, except as a means to the end; and I am surprised by their excellence. No. 23 is a design for a large painting commissioned by the Canadian Government, and left unfinished at his death. No. 37 is one of the gems of the collection. An illustrated memorial volume of Gilman's work will be published shortly. Other picture shows forthcoming in London during the autumn and winter are--an exhibition of the works of Matisse, Mr. Marchant's Salon, open for the first time since the war at the Goupil Galleries, the Imperial War Museum Exhibition, and the London Group at the Mansard Gallery in November. * * * * *