The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920Various
General
The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920
Various
English literature -- Periodicals; London (England) -- Periodicals
... At the turn of the night it began to rain, and at daybreak the
whole country was grey with driving rain, which spluttered against
the bedroom window and beat upon the thatch. The noisy sparrows
under the eaves shook themselves angrily and fluttered up and down
in the garden after worms. The tom cat, who had been out all night,
gathered himself up on the doorstep and brooded there with one eye on
the sparrows, waiting for the door to be opened. The draught under
the door made his paws cold, so he blew himself out and crouched
down with his paws folded up underneath him. He was angry and tired,
and his fur was covered with minute drops of water that in places
had penetrated to his skin, but he sat there patiently dosing and
dreaming for two hours until half-past eight, when the bolts were
drawn. At the sound of the bolts being shot back he at once stood
up and mewed, and the door was hardly opened before he ran into the
kitchen, where a stick fire roared in the grate and a frying-pan gave
out an odour of frying fat.
... The people came out of the house door, mysterious in the fading
light like a procession of Boccaccio's women and a clerk of the
Decameron seen through the romantic distance of seven hundred
years. They lit the candles in the dark garden-room and sat down
as if waiting for somebody to begin a story. Overhead the blue sky
gleamed through the gathering darkness, and in the west a rosy glow
spread up behind the delicate aspens and maples and acacias of the
little plantation above the yew garden. Up in the mazy blue sky the
transparent half moon and a few bright planets gleamed beneath the
outermost heavens, where faint white constellations began to appear
as the darkness quickly gathered upon the earth.
We do not quote these descriptive passages as proving Miss Wilson's
aptitude for the novelist's multifarious task. They represent only one
of the many gifts of which she must dispose; and they are themselves in
several details open to criticism. They do moreover represent almost
everything in this book which can be distinguished for commendation.
They suggest, however, that Miss Wilson possesses one of the most
important gifts of the novelists, namely, a sense of the scene; and
it remains for time to show whether she can imagine persons and a
situation worthy of her background.
Public-domain text, read in full here on John Shaqi.
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