The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920Various
General
The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920
Various
English literature -- Periodicals; London (England) -- Periodicals
But perhaps the desire to depict, and to comment on, phenomena so fresh
and living in the mind as these, which has been fatal to experienced
craftsmen of the order of Mrs. Ward and Mr. Galsworthy, is one which
will ruin any novel in which it is attempted. Miss Romer Wilson has
not the experience of either; but as her first book, _Martin Schuler_,
demonstrated, she has really extraordinary natural gifts. These
gifts are still obvious in her second book, which is nevertheless
disappointing and all but a complete failure. It describes a circle
of non-combatants during the last year of the war, young people, of
whom Mrs. Ward has hardly heard, who sway between cynical disgust with
the world around them and cynical disgust with their own natures. No
man, it has been wisely said, is uninteresting, and these persons,
regarded from a sane and tolerantly humorous point of view, might have
been the theme for a good book. But since the thoughts, or actions,
the manners through which they manifest themselves not being genuine
or spontaneous, are important neither for good nor evil, the method
of treating them seriously results in making them appear thin and
tedious. Affectations, except in the rare event of their producing
serious consequences, are a topic only for satire; and here the loves
of Josephine and Sebastian, of James Blanchard and Susan and Amaryllis,
are expressed purely by affectations, which overlie and conceal
whatever genuine feelings these persons may have possessed. This type
has had in recent years a curious attraction for young novelists, who
have as a result produced many books which are not worthy of attention.
But the author of _Martin Schuler_ must sin deeply before we can refuse
to read any book of hers, however unwillingly we may persevere in it.
And even here her special qualities are altogether beyond mistake. She
can still, even in this dreary and pointless tale of people we should
prefer not to meet, astonish us with vivid and enchanting fragments
of pictorial beauty. A couple of these passages, which are all that
redeems the book from dullness, may be given as specimens:
Public-domain text, read in full here on John Shaqi.
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