The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920Various
General
The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920
Various
English literature -- Periodicals; London (England) -- Periodicals
His first impression was that her countenance contained no such
difficult riddle as he had been led to suppose. The body of the Sphinx
was huge, her paws stretched in front formidable, her shoulders heavy.
Her bandeletted head sustained a wedge-fronted tiara. All this he took
in at a glance. Then he turned to the face. He had not expected it to
be so close to the ground and so open to inspection. The forehead he
could see was ample. The eyebrows, albeit contracted in a slight frown,
were high, arched, and wide, which lent the upper part of the face a
frank expression; but the reverie of the eyes, fixed on space, seemed
somewhat dimmed--as if an impalpable hand had interposed itself between
the gazing orbs and the sun. The smoothness and delicate moulding
of the cheeks and chin were remarkable. The nose astonished by the
firm subtlety of its outline, which gave to the face a simultaneous
expression of suavity and undeviating determination. If the nose had
provoked wonder the mouth was yet more amazing. The lips, which might
have been gracious and full when parted, were so closely compressed in
their smile as to modify the whole effect of the other features.
"I must go nearer," said Es-siddeeh.
He established himself almost between the paws of the monster, for
monster she had become to him who now beheld her mien more clearly--a
mien disfigured, yet seeming uncaring for its own disfigurement,
and--greatest horror of all--a mien in which the eyes possessed irises
but seemingly no pupils. For a little he considered returning. Then he
said to himself, "No; to see her afar off gives a false impression. One
should see her as she is, and earnestly scanning the visage wrestle
in thought till one discovers the secret of the smile." In this he
instinctively knew himself to be right.
Public-domain text, read in full here on John Shaqi.
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