The London pleasure gardens of the eighteenth centuryWroth, Warwick William
History
The London pleasure gardens of the eighteenth century
Wroth, Warwick William
London (England) -- History -- 18th century; Parks -- England -- London -- History
The Flora Tea Gardens (or Mount Gardens), were on the right hand side
of the Westminster Bridge Road going towards the Obelisk, and opposite
the Temple of Flora. They were in existence about 1796–7. The gardens
were well kept and contained “genteel paintings.” They were open on
week-days and on Sundays till about 11 p.m., and the admission was
sixpence.
Among the frequenters were democratic shopmen, who might be heard
railing against King and Church, and a good many ladies respectable and
the reverse. The “Sunday Rambler” (1796–7) describes the company as
very orderly, but at some time before 1800 the place was suppressed on
account of dissolute persons frequenting it.
Some small cottages were then built in the middle of the garden, which
retained a rural appearance till shortly before 1827, when several rows
of houses, “Mount Gardens,” were erected on the site.
[The Flora Tea Gardens described in _A Modern Sabbath_ (1797),
chap. viii., are evidently identical with the Mount Gardens
mentioned by Allen (_Lambeth_, 335), though he does not mention
their alternative name (cp. Walford, vi. 389). Allen (_loc.
cit._) is the authority for the suppression of the gardens.]
THE TEMPLE OF FLORA
The Temple of Flora stood hard by the Temple of Apollo, in the middle
of Mount Row on the left hand side of Westminster Bridge Road, going
towards the Obelisk, and was separated by Oakley Street from the Apollo
Gardens (Temple of Apollo). Concerts were given every evening in the
season, and the place is described as “beautifully fitted up with
alcoves and exotics.”
In the hot house was “an elegant statue of Pomona,” a transparency
of Flora, and at the lower end of the garden, a natural cascade and
fountain. “The entrance and the gardens,” were advertised in July
1789 as being formed by the proprietor into an exact imitation of the
admired Temple of Flora, which he had constructed at the Grand Gala at
Ranelagh.
Some special entertainments were given in June and July in honour
of the King’s recovery, and the Grand Temple of Flora, an “elegant
and ingenious imitation of Nature in her floral attire,” was then
illuminated with nearly a thousand variegated lamps amid wreaths
of flowers twining round pillars “made in imitation of Sienna
marble.” Fireworks and water-works were also displayed; a large
star of lamps was suspended above the cascade, and (in the absence
of nightingales) “a variety of singing birds” were imitated. The
admission for these special entertainments was one shilling, and the
gardens were illuminated from eight till the closing time at eleven.
Light refreshments were served consisting of orgeat, lemonade,
“confectionary,” strawberries and cream.
Public-domain text, read in full here on John Shaqi.
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