The London pleasure gardens of the eighteenth centuryWroth, Warwick William
History
The London pleasure gardens of the eighteenth century
Wroth, Warwick William
London (England) -- History -- 18th century; Parks -- England -- London -- History
In 1774 James Hook was appointed organist and composer, and remained
at Vauxhall Gardens till 1820, exerting his facile, if not very
distinguished powers, as a music-writer. In 1775 Catches and Glees were
for the first time introduced into the concert. On an evening of July
of this year Lord Sandwich and a party of friends amused themselves
by starting some Catches and Glees of their own, which they sang from
their box near the orchestra. General Haile, who sat in the next box,
then requested a young lady who was with him to sing a song, which the
band obligingly accompanied, to the great delight of the audience.[346]
A favourite catch, “They say there is an echo here,” was performed
in 1780, by two sets of singers and musicians, the stanzas of the
principal band being answered by an invisible band of voices and wind
instruments stationed over the Prince’s box at the bottom of the garden.
[Illustration: _Vauxhall on a Gala Night_]
In 1783 Barthelemon led the orchestra, and a band of drums and fifes,
horns and clarionets, was introduced to perambulate the gardens after
the regular concert. These supplementary bands generally formed part of
the later Vauxhall entertainments.
§ 4. 1791–1821.
In 1792 the ordinary admission was raised from one shilling to
two shillings, and Grand Galas and Masquerades became features of
Vauxhall.[347] On 31 May, 1792, there was a successful masked ball, and
the gardens were a blaze of light. Amid a crowd of Haymakers, Punches,
Chimney Sweeps, and Sailors, Munden, the actor, attracted attention in
the character of a deaf old man.
People of all classes took part in these masqueradings. Deputy Gubbins
went as a very fat Apollo, and his spouse, a portly matron, as Diana
with a huge quiver. Master Gubbins was Cupid. But these characters were
misunderstood by the newspaper-reporter, who described the Deputy as
the Fat Knight, accompanied by his lady as Mother Quickly, and by the
hope of all the Gubbinses as an awkward Toxophilite.[348]
The “Dashalls” and “Tallyhos” sometimes caused trouble, and a newspaper
of 1812, describes how at a ball of this year, a crowd of masks
followed “Mr. Cockadoodle Coates” with crowing and exclamations of
“Romeo, Romeo, wherefore art thou, Romeo.”
An imposing festival took place on 20 June, 1813, to celebrate the
Battle of Vittoria and Wellington’s victories. The Prince of Wales, and
all the Royal Dukes were present at the banquet.
During this period (1791–1821) some capable vocalists made their
appearance at Vauxhall; Darley (who had already sung at the gardens in
1789); Mrs. Franklin (who had previously appeared as Miss Leary); Mrs.
Mountain,[349] the actress (1793); the well-known Charles Dignum (1794)
and Mrs. Bland[350] the popular ballad-singer (1802). Dignum and Mrs.
Bland remained Vauxhall favourites for some years.[351]
[Illustration: M^{RS}. MARTYR.]
Public-domain text, read in full here on John Shaqi.
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