The London pleasure gardens of the eighteenth centuryWroth, Warwick William
History
The London pleasure gardens of the eighteenth century
Wroth, Warwick William
London (England) -- History -- 18th century; Parks -- England -- London -- History
“The Farewel to Vaux Hall” 325
(From Bickham’s _Musical Entertainer_, 1733 &c. W.)
THE
LONDON PLEASURE GARDENS
OF
THE EIGHTEENTH CENTURY
THE
LONDON PLEASURE GARDENS
INTRODUCTION
An entry in the diary of Samuel Pepys records how on the 7th of June,
1665, “the hottest day (he says) that ever I felt in my life,” he took
water to the Spring Garden at Foxhall and there stayed, pleasantly
walking, and spending but sixpence, till nine at night. The garden that
he visited was that which formed the nucleus of those Vauxhall Gardens
which, seventy or eighty years later, became the most favoured summer
resort of pleasure-seeking Londoners. Vauxhall with its great concourse
of high and low, its elaborate concerts, its lamps and brightly painted
supper-boxes, is far removed from the simple garden in which Mr. Pepys
delighted to ramble, but not only Vauxhall, but several other pleasure
gardens of the eighteenth century may be traced to comparatively humble
beginnings in the period between the Restoration and the reign of
Anne.[2]
In the early days of these gardens no charge was made for admission,
but a visitor would naturally spend a trifle in cheese-cakes and
syllabubs for the ladies, and would order for himself some bottle-ale
and such substantial viands as were afforded by the tavern or
the master’s dwelling-house attached to the garden. The musical
entertainments that afterwards became a feature of the principal
gardens were originally of little account. The Wells of Lambeth (1697)
and Hampstead (1701) provided a concert of some pretensions, but Mr.
Pepys at the Spring Garden was content with the harmony of a harp, a
fiddle, and a Jew’s trump.
In some places, however, a Long (or Great) Room was at an early period
built for the dancing that generally took place there in the morning
or the afternoon; and booths and raffling-shops were set up for the
benefit of card-players and gamblers. The quiet charm of a garden
was, moreover, sometimes rudely broken by the incursion of gallants
like “young Newport” and Harry Killigrew--“very rogues (says Pepys)
as any in the town.” At last, about 1730–40, the managers of the
principal public gardens found it desirable to make a regular charge
for admission: they requested gentlemen “not to smoak on the walks,”
sternly prohibited the entrance of servants in livery, and, generally,
did their best to exclude improper characters.
Public-domain text, read in full here on John Shaqi.
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