The London pleasure gardens of the eighteenth centuryWroth, Warwick William
History
The London pleasure gardens of the eighteenth century
Wroth, Warwick William
London (England) -- History -- 18th century; Parks -- England -- London -- History
The evening concerts (from May 1742, onwards) generally began, at 6.30
or 7. Between the Acts the company walked in the gardens to the music
of horns and clarinets, and a garden-orchestra was erected about 1764.
The gardens were illuminated, but fireworks did not become a prominent
feature till about 1767.
The gardens themselves were somewhat formally laid out. There were
several gravel walks, shaded by elms and yews; a flower-garden, and “a
beautiful octagon grass plat.” The principal walk led from the south
end of Ranelagh House to the bottom of the gardens, where there was
a circular Temple of Pan. At night the walks were prettily lit with
lamps attached to the trees. There was also a canal with a Temple
indifferently described as the Chinese House and the Venetian Temple.
[Illustration: _The Chinese House, the Rotunda, & the Company
in Masquerade in RENELAGH GARDENS_]
In its earliest as well as in its latest days masquerades attracted
many to the Rotunda and the gardens, but the chief diversion was the
promenade in the Rotunda. A guide-book of 1793 states that “walking
round the Rotundo” was “one of the pleasures of the place.” We hear
much at all periods of “the circular labour” of the company
and “the ring of folly.”[224] Matthew Bramble found one half of the
company “following one another’s tails in an eternal circle like
asses in an olive mill while the other half are drinking hot water
under the denomination of tea.” Mr. Bramble exacted much from places
of amusement, but it is to be suspected from other testimonies that
there was an atmosphere of dulness, a note of ennui, about the
ordinary diversions of this fashionable rendezvous. “There’s your
famous Ranelagh (says ‘Evelina’) that you make such a fuss about; why
what a dull place is that!” A Frenchman describing Ranelagh about
1800--foreigners were always expected to visit it--calls it “le plus
insipide lieu d’amusement que l’on ait pu imaginer,” and even hints at
Dante’s Purgatory. Another Frenchman writing much earlier, _circ._
1749, briefly comments “on s’ennuie avec de la mauvaise musique, du thé
et du beurre.”
Public-domain text, read in full here on John Shaqi.
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