"In London, he dropped me here at my house, and went on to his flat; he
was to come in the evening to fetch me out to dinner. But he was back
within an hour. I had to receive him in a kimono. I found him pacing up
and down this room, at the far end there, by the windows. He came
quickly to me, and told me that his orders had been changed--he had to
go to Paris first, spend two days there, and then to Africa via
Marseilles. 'To Paris?' I said, not understanding. 'Yes, to-night--in
two hours,' he said, quickly, shyly. He was embarrassed at the idea of a
possible scene. But he was cold. He must go at once, he said. And he
looked eager to go, to go and be doing. He shook both my hands--I hadn't
a word--and almost forgot to kiss me. It was just as though nothing had
ever happened between us, as though we hadn't ever been to Wales, or
played, and laughed, and loved; as though he had never begged me to run
my fingers through his hair, because I had said his hair was a garden
where gold and green flowers grew. He was going away; and he was just as
when I had first met him, or at that lunch--I hadn't gained anything at
all, it was all just a funny, tragic, silly dream ... he had come and
now he was going away. He would write to me, he said, and he would be
back in sixteen months....
"I'm not a bad loser, you know; I can say such and such a thing isn't
for me, and then try and undermine my wretchedness with philosophy. But
I simply didn't exist for a few months; I just went into my little shell
and stayed there, and was miserable all to myself, and not bitter at
all, because I sort of understood him, and knew he had been true to
himself. It was I who had failed in trying to make him false to his own
nature.... But there's a limit to all things; there comes a time when
one can't bear any more gloom, and then there is a reaction. No one with
any courage can be wretched for ever--anyway, I can't. So, suddenly,
after a few months, I went out into the world again, and played and
jumped about, and made my body so tired that my mind hadn't a chance to
think.
"His first few letters were cold, honest things, a little pompous in
their appreciations of me tacked on to literary descriptions of the
Nile, and the desert, and the natives. I wrote to him only once, a
wonderful letter, but I hadn't the energy to write again--what was the
good?
Public-domain text, read in full here on John Shaqi.
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