She sat down to the spinet, and touched a mellow, tender chord or two;
and then, because needs must, she found relief in song. Her singing
voice was like herself, dainty, well-found, full of deep cadences where
tenderness and laughter lurked. It was no voice to take the town by
storm, but one to hearten men, when they came in from the open, against
the next day’s warfare. And she sang Stuart songs, with a little lilt
of sorrow in them, because of Oliphant’s news from Derby and because
of Will Underwood’s sadder retreat from honour, and hoped somehow that
Rupert would hear her and come to her, because she needed him. He was
so fond of ballads--those, most of all, that had the Stuart constancy
about them--and Nance was sure that she could entice him down, could
sing some little of his evil mood away from him.
Instead, as she halted with her fingers on the keys, she heard Rupert
tramping overhead, and Simon Foster’s heavy footfall, as they went
their round of what, in irony and bitterness, they named the defences.
“This loophole covers the main door, Simon,” she heard Rupert say, with
his tired laugh. “In case of a direct attack from the front, I station
myself here with six muskets, aim sure and quickly, picking my man
carefully each time, and disorder them by making them think we are in
force.”
“That’s so, master,” growled Simon. “And while you’re busy that way, I
make round to the left wing, and get a few shots in from there across
the courtyard. Oh, dangment!” he broke off. “We have it all by heart,
and there’s only one thing wanting--the attack itself. I’m nigh wearied
o’ this bairn’s play, I own. It puts me i’ mind, it does, of Huntercomb
Fair, last October as ever was.”
“What happened there?” asked Rupert, as if the other’s slow, unhurried
humour were a welcome respite.
“Well, they were playing a terrible fine piece where soldiers kept
coming in, and crossing th’ stage, till you counted ’em by scores.
But, after I’d seen what was to be seen, I went out; and I happened to
go round by the back o’ the booth, and I saw how it was done. There
were just five soldiers, master--one was Thomas Scatterty’s lad, I
noticed, who’s said to run away from a sheep if it bleats at him--and
these durned five, why, they went in at one end o’ the booth, and
marched across th’ stage, and out a t’other end. Then they ran round at
th’ back, and in again; and so it went on, like, till th’ sweat fair
dripped from them, what with hurrying in and out.”
Nance, listening idly, could hear that low, recurrent laugh of
Rupert’s--the laugh that was tired, and hid many troubles.
“Yes, Simon, yes,” he said, with high disdain of himself and
circumstance, “it is all very like Huntercomb Fair; but at
Huntercomb they had the jostling crowd, the lights, the screech of
the fiddles. Here at Windyhough we have--just silence--a silence so
thick and damnable, Simon, that I’m praying for a gale, and fallen
chimney-stacks, and the wind piping through the broken windows.”
Public-domain text, read in full here on John Shaqi.
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