“You’re not looking just as gay as you were yesternight,” he growled,
snatching a glance at Rupert’s face. “Summat amiss wi’ the Faith ye
hold by, master?”
Rupert was sick with bitter trouble, sick with inaction and the
frustration of long hopes; yet he held his head up suddenly and smiled.
“Nothing amiss with that,” he answered cheerily. “I’m too weak to carry
it at times, that is all, Simon.”
Simon stroked his cheek thoughtfully. “Well, it’s all moonshine to
me--speaking as a plain man; but I’ve noticed it has a way o’ carrying
folk over five-barred gates and walls too high to clamber. For my part,
I’m weary, dead weary; and I see naught before us, master, save a heavy
snow-storm coming, and women blanketing us wi’ whimsies, and a sort
o’ silent, nothing-doing time that maddens a body. You’ve the gift o’
faith--just tell me what it shows you, Maister Rupert.”
The master laughed. It tickled his humour that he, who was wading deep
in sickness and disillusion, should be asked for help in need by this
grizzled elder, who had loved and pitied him, who had tried, these
last days, to teach him the right handling of a musket. “Just this,
Simon--square shoulders, and a quick eye, and the day’s routine ahead.
What else?”
“Then faith is a soldier’s game, after all.”
“Yes, a soldier’s game,” Rupert answered dryly.
And so they went forward from room to room, from loophole to loophole,
that cast slant, grey eyes on the sleet that was blowing across the
troubled moonlight out of doors. And, at the end of the round, after
Simon had gone down to see if he could catch a glimpse of Martha in the
kitchen, Rupert heard the sound of spinet keys, touched lightly from
below. And then he heard Nance Demaine singing the ballads that were
dear to him, and a sudden hunger came upon him.
He went down to the parlour, stood silent in the doorway. Lady Royd was
upstairs, putting her toy spaniel to bed with much ceremony; and Nance
was alone with the candlelight and the faded rose-leaf scents. With
ache of heart, with a longing strong and troublesome, he saw the trim
figure, the orderly brown hair, the whole fragrant person of this girl
who was singing loyal ballads--this girl who kept his feet steady up
the hills of endeavour, and of longing for the battle that did not come
his way.
And the mood took Nance to sing a ballad of the last Stuart Rising,
thirty years ago, when all was lost because the leaders of the
enterprise were weaker than the men who rode behind them.
“There’s a lonely tryst to keep, wife,
All for the King’s good health.
God knows, when we two bid farewell
I give him all my wealth.”
Public-domain text, read in full here on John Shaqi.
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