It was the song of a cavalier, written to his wife the night before
he went to execution for the Stuart’s sake. And it had lived, this
ballad, because to its core it rang true to the heart’s love of a man.
And Nance was singing it as if she understood its depth and meaning.
This was the man’s love, royal, simple, courageous, of which she had
talked to Lady Royd not long ago, for which she had been laughed at by
the older woman. Yet one man at least had found grace to carry such
love with him unblemished to the scaffold. The resignation, the willing
sacrifice for kingship’s sake summed up by “the lonely tryst to keep,”
as if this were a little matter--the human note of loss and heartbreak
when she reached the last love confession, strong, tender, final in its
simplicity--Nance’s voice found breadth and compass for them all, as if
she had stood by this cavalier long dead, feeling pulse by pulse with
him. And so, in a sense, she had; for these royalists of Lancashire had
faults and weaknesses in plenty, but they had been strong in this--from
generation to generation they had reared their children to a gospel
resolute and thorough as the words of this old ballad.
Nance lingered on those last words as if they haunted her--“I give
him all my wealth.” And Rupert, standing in the doorway, was aware
that, even to his eyes, Nance had never shown herself so tender and
complete. She leaned over the spinet, touching a key idly now and
then; and her thoughts were of Will Underwood, who had courage of a
sort, a fine, reckless horsemanship that was needed by the Rising; of
Wild Will, whose whole, big, dashing make-believe of character was
ruined by a mean calculation, a need to keep houseroom and good cheer
safe about him. She remembered her trust in him, their meeting on the
moor, the sick, helpless misery that followed. And then she thought of
Rupert, standing scholarly and apart from life--no figure of a hero,
but one whom she trusted, in some queer way, to die for the faith
that was in him, if need asked. And then again she laughed, a little,
mournful laugh of trouble and bewilderment. Life seemed so wayward and
haphazard, such a waste of qualities that were hindered by weaknesses
tragic in their littleness. If Rupert’s steady soul could be housed in
Will Underwood’s fine, dominant body, the world would see a man after
its own heart.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account