English essays -- 20th century; Natural history -- Outdoor books
All the loveliness of fled summers returns to the mind. The spread disk
of the dandelion, so richly hued, is more beautiful now, bearing in its
colour so many hopes of the past. A common flower, a despised weed,
yet a symbol of that pulsing golden happiness that is the heritage
unclaimed of so many. The bees and the birds need no philosopher’s
stone, they have something better in the sweet air, they live every
moment happily. In careless childhood the dandelions were beheaded
with a stick; they are now a token of joy, these common weeds, taking
shallow root wherever the wind flings their seeds. Summer to me would
be incomplete without the dandelions. For what they symbol, would that
there were more in the drifted dust of the cities. The music of the
brook has risen from a murmur to a dull thunder, and a humming sounds
under the maples. The miller has lifted the weedy hatch, and the
ponderous stone wheels are crushing the grain. In the pond the tench
lie unseen, but the light flames upon the scarlet fins of the roach
as they pass. Silently the flume slides forward, then gushes into the
troughs of the great elm waterwheel. Jets of water spurt from its
old mossy planking, and a rain of drops is flung from the trundling
rim. Inside the miller feeds the hoppers, and upon a beam perch two
swallows, unheedful of the shake and the thunder. A dust floats in the
millhouse, hazing the glass windows and giving to the cobwebs a snowy
purity--embroidering the robes of the corn-spirit. For centuries the
wheat has been ground between the fixed bed-stone and the runner, for
centuries the stream has worked for mankind, its splashing imprisoning
the light of the southern sun falling athwart the wheel. I thought
of the men that in the past had laboured for the wheat, of the times
the millpeck had grooved the stones, and the millstaff proven their
setting. The millwheel is very old and will soon turn no more, but
still the human sorrow and the hunger goes on.
Across the way stand dark yew trees beneath whose stillness the
grave-stones, patched with gray and orange lichens, throw their shadows
upon the grass. The suns of summer have bleached them, autumnal rains
washed them, wintry frosts worked graven patterns upon the ancient
letterings. The stream flowed then as now, many times had the swallows
returned to their mortared houses under the rafters and up the broad
chimneys--think of all the beauty repeated. Centuries of apple blossom,
scented beanfields and floating thistledown; all the happiness of
harvest garnered; all the hunger and the misery of man, ever striving
with his neighbour. Can you not see what the dandelion tells? The
swallows on the beam know no passage of time--they look forward to no
happiness--they have no illusions--all is for them now. The calendar
is not for them. Joyous they are, and wild; their hopes are not for
to-morrow--the to-morrow of the mounded earth--but for to-day.
Public-domain text, read in full here on John Shaqi.
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