English essays -- 20th century; Natural history -- Outdoor books
When the moon was up an evejar rose from the patch of swaled gorse;
the creamy marks on its wings and tail were visible in the confluence
of light from the gates of heaven--the flood of the moon’s white fires
and the lingering afterglow over the Atlantic. In anguish at the
violation of its hymeneal sanctities the skep-swallow returned and
wheeled, beating its wings together. No sound disturbed the silence,
no movement stirred the bracken; only a mouse rustled in the dried
brambles, only a chafer beetle, booming through the dusk, sought
a dew-drop on a leaf of foxglove. The birds, wedded for all time,
returned together and settled on the ground. Then the male bird mounted
a stump of gorse, crouched low, and poured forth a reeling song. Like
the risp of a grasshopper it came, like a shaken matchbox, like a
crowstarver’s clappers heard afar. Against the moon the evejar sang his
song, whispering huskily of his ecstacies during the pause. Sometimes
he waited for the shy answer of his love--she who had journeyed over
foreign wastes with him to the remembered valleyside of heather. Soft
was her rapturous murmur in the summer night, a gentle reassurance of
faith and hope, while the stars shone in the sky above them. Like spun
and argent coins the moths went down to the dew-sweetened flowers. Only
a reverent watcher and the pure face of the moon saw their espousal.
A DESERTED QUARRY IN FEBRUARY
Many celandines are now showing a yellow cup to the sun; a dearly loved
flower the celandine, braving the frosts and the loneliness, with only
the windrifted leaves of a dead year for company. But its courage makes
it beautiful--one of the first of the players in the country orchestra
of scent and colour and loveliness to take its seat in the amphitheatre
of spring.
On the railway embankment the coltsfoot flowers are rising. How can
one be sad when Proserpine will shortly float over the meadows and the
woodlands? Now we must lift our hearts above earthly unhappiness, and,
with Nature, be joyous.
What matter the fallings of so many leaves in the past when to-day the
wild and happy humble bees are passing in the sunshine, dusty from
the pollen of the willow-palm? That the symphony of summer must die in
autumn’s cadences is inevitable, but now the grass is rising on the
crumbled brick rim of the deserted limekiln, and on the pile of chalk a
wagtail calls to his mate.
There are the sweet notes of the finches who are fluttering round the
weeds of the wasteland, and the distant caw of rooks. A great cloud
rushes in the sky; the light is checked. It is cold once more. But
every day the sun swings in a higher curve; over the sea the call has
gone, and even now the migrants in Africa and Egypt are restless.
Public-domain text, read in full here on John Shaqi.
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