English essays -- 20th century; Natural history -- Outdoor books
My Devon hermitage is only a sixteenth-century cottage rented at four
pounds a year. There are two bedrooms, very small and lime-washed, and
a living room with a stone floor and open hearth. A simple place, built
of cob, and thatched, with a walled-in garden before it, and then the
village street. The churchyard with its elm-rookery is on one side, a
small brook below the wall. Even in the hot summer the water runs; I
have made a pool of stones where the swallows and martins can go for
the mud to build their homes. Beautiful it is to see, in the shadow of
the trees, these birds alighting softly on a boulder, or by the pool’s
edge, and shovelling the red mortar on their beaks. They are timid,
restless things, rising into the air at the least noise. I have passed
many hours in watching them, noting the number of times they came in
a minute, and how they mix fragments of dried grass and straw with the
mud before taking the material aloft. All the while the water murmured,
and the birds answered with gentle song. They soon came to know me, and
minded not my presence; and I kept away marauding village cats--lean
animals with pointed ears and staring eyes; a race existing on rats.
Sometimes a little boy comes and stands by me, and watches them too. He
is a funny little fellow, about two and a half years old, with yellow
curls and solemn brown eyes. His name is Ernie, and his father is a
labourer, a very kind man. He used to spend all his money in the inn,
but suddenly took a wife, and drank no more. When Ernie is a naughty
boy, he threatens to go “up to pub,” and Ernie wails immediately, and
is good again.
“I got this one,” says Ernie, coming to the cottage door, and holding
out in a filthy paw a piece of cake. “You ain’t got this one, ave ee?”
“Go away, Ernie, I’m writing.”
“You ain’t got this one,” he replies, munching the cake, “ave ee, Mis’r
Wisson?”
I feel more comfortable in the company of children than with
“grown-ups”; and to discourage his talk I put my tongue out, and make a
hideous face.
“Ah’ll cut ees tongue off, ah wull,” he gravely warns, repeating what
his mother has said to him when he has done it to her--a frequent
happening, I fear; I taught him to do it.
“Good-bye,” I shout.
Then he departs, and five minutes later I hear a feeble
“_’onk-’onk-’onk_” in my garden. Ernie is driving his car, which he has
made from my wheelbarrow, a cinder sifter, and an egg-shaped pair of
pram-wheels.
“’Onk-’onk,” he cries to the sparrows, “git out, ’onk-’onk.” Then on
seeing me: “I got this one. You ain’t got this one, ’ave ee?”
“Noomye!” I exclaim, while Ernie goes faster and faster.
This motor-car is not the only toy. The pram-wheels, or “wills,” as he
calls them, are a source of happiness. A broom tied to the axle acts as
a horse, and Ernie goes driving in the road. Other small brats come up,
and a puppy dog or two, and great fun they have, often ending up in the
stream.
Public-domain text, read in full here on John Shaqi.
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