Over pebbles, wine-stained, gray, rusted and brown, the stream tumbled, around mossy boulders and under branches, swaying dreamily the drowned poa grasses. Brook-trout lurked for the gnats that sometimes brushed the surface with trailing legs. Where the wind was stayed by arch of hazel and willow the midges danced their nuptials, in ghostèd assembly rising and falling. The time of the mayflies was not yet, their brief pageant would be heralded by the myriad trumpets of summer’s insects; summer was still shyly virginal. No sunbeam had yet touched the buttercup, unblazoned was the shield of the meadow by _gules_ of poppy, _azure_ of cornflower, or _argent_ of feverfew. Fragile were the greeneries of the hedge above the brooklet, sweet the primroses under the stubbed roots of the ash trees. Loveliest is the year when “sumer is icumen in,” when the willow wren, slim as he perches on an amber wand, sings all the love in his heart. Something is moving in the nettles which the bullocks have not trampled. Their hooves have impressed cloven hollows at the marge, but the nettles are unspoiled. A tangled song comes from the middle of the patch, incoherent and unceasing. The pointed leaves quiver as the motion continues. Presently a little bird with a fawn breast jerks into the air, flutters a moment, and then disappears. It is a whitethroat, and till now his presence in the countryside was unknown. Ecstasy, uncontrolled and rising from his heart like the spring in the hillside, has all his being enthralled. The trembling of the nettles and the husky voice continue, and a brown bird passes over the nettled sanctuary. It is a wren carrying a leaf to the house that after two days’ labour is nearly built. Swiftly he pushes the oak leaf into place, then mounts a dry bramble jutting above the pleached ash and hazel branches, and from his pine-spindle of a beak pours a ringing melody. The fervour of the crackey’s song is so intense that in comparison with his size and minute cocked tail it appears an impossibility--he is a Swinburnian singer. His vernal feelings are so strong that in the interval of vocal exclamation he fashions many spare nests, most of them loosely and carelessly made. The shanty in the dead ivy around the oak is constructed of withered leaves that harmonise with its surroundings; he has another in a hayrick near, formed of dried grasses; a third in a green bush composed wholly of moss fetched from a bank in the sunken lane.