The Lonely Way—Intermezzo—Countess Mizzie: Three PlaysSchnitzler, Arthur
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The Lonely Way—Intermezzo—Countess Mizzie: Three Plays
Schnitzler, Arthur
German drama -- Translations into English
JOHANNA
How perfectly I understand that! A life without sorrow would probably
be as bare as a life without happiness. (_Pause_) How long ago is it
now?
SALA
What are you thinking of?
JOHANNA
That Mrs. von Sala died?
SALA
It's seven years ago, almost to a day.
JOHANNA
And Lillie--the same year?
SALA
Yes, Lillie died a month later. Do you often think of Lillie, Miss
Johanna?
JOHANNA
Quite often, Mr. von Sala. I have never had a girl friend since that
time. (_As if to herself_) She too would have to be called "miss" now.
She was very pretty. She had black hair with a bluish glint in it like
your wife, and the same clear eyes that you have, Mr. von Sala. (_As if
to herself_) "Then both of them walked hand in hand along the gloomy
road that leads through sunlit land...."
SALA
What a memory you have, Johanna.
JOHANNA
Seven years ago that was.... Remarkable!
SALA
Why remarkable?
JOHANNA
You are building a house, and digging out submerged cities, and writing
queer poetry--and human beings who once meant so much to you have been
rotting in their graves these seven years--and you are still almost
young. How incomprehensible the whole thing is!
SALA
"Thou that livest on, cease thou thy weeping," says Omar Nameh, who was
born at Bagdad in the year 412 of the Mohammedan era as the son of a
cobbler. For that matter, I know a man who is only thirty-eight. He has
buried two wives and seven children, not to speak of grandchildren. And
now he is playing the piano in a shabby little Prater[1] restaurant,
while artists of both sexes show off their tights and their fluttering
skirts on the platform. And recently, when the pitiful performance had
come to an end and they were turning out the lights, he went right on,
without apparent reason, and quite heedless of everything, playing away
on that frightful old rattle-box of his. And then Ronsky and I asked
him over to our table and had a chat with him. And then he told us that
the piece he had just played was his own composition. Of course, we
complimented him. And then his eyes lit up, and he asked us in a voice
that shook: "Gentlemen, do you think my piece will make a hit?" He is
thirty-eight years old, and his career has come to an end in a small
restaurant where his public consists of nurse-girls and
non-commissioned officers, and his one longing is--to get their
applause!
[1] The Prater is at once the Central Park and the Coney
Island of Vienna, plus a great deal more--a park with an area
of 2,000 acres bounded by the Danube on one side and by the
Danube Canal on the other, full of all kinds of amusement
places.
REUMANN (_enters_)
Good evening, Miss Johanna. Good evening, Mr. von Sala. (_Shakes
hands with both of them at the same time_) How are you?
SALA
Fine. You don't suppose one must be your victim all the time because
one has had the honor of consulting you once?
REUMANN
Public-domain text, read in full here on John Shaqi.
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